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Bruce Springsteen on Broadway Will Run til December 15th: “And Then That’s It,” Says Manager

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EXCLUSIVE UPDATE: Bruce Springsteen’s manager, Jon Landau, tells me the extension of the run on Broadway will end on December 15th. “And that’s it,” Landau told me at an HBO luncheon today for a new Elvis Presley documentary premiering soon on the cable network. Landau is executive producer. “It go on and on,” he said, referring to Bruce. But it won’t.

EARLIER

Bruce Springsteen likes Broadway– and why not?

He’s extending his one man show (well, one man and one woman– wife Patti) til the end of the year.

“Springsteen on Broadway” was supposed to end in June. Well actually it was already supposed to be done.

But Bruce is making a pure $2 million a week from the show, five performances.  He grosses $500,000 a performance. It only costs around $350,000 to rent the theater for the week. Bruce and his company produce the show so all the profit is theirs. Why give it up? The audiences love him, he can play the songs in his sleep. Even so, he’s engaging and present at every show.

This is bad news for the E Street Band, stadiums and arenas around the world, and so on since there will be So no big tour this year or Bruce album or anything else. He’s going to ride this horse til its done.

And we are all the luckier for it!

Tickets go on sale March 28th for the next allotment.

The First Oscar Movie of 2018? Wes Anderson’s “Isle of Dogs” Prescient Take on Trump and Banned Immigrants– with Its All Star Cast and Mesmerizing Art Production

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It was quite the star-studded turn out last night for Wes Anderson’s “Isle of Dogs,” but then again, the cast itself is right in the targeted heart of movie zeitgeist right now: Bill Murray, Liev Schreiber, Tilda Swinton, F. Murray Abraham, Jason Schwartzman, Bob Balaban, Fisher Stevens, Harvey Keitel,  Jeff Goldblum. all voice Anderson’s proud animated pups, descendants of “The Fantastic Mr. Fox” who are a little less twee than their forebears and maybe metaphors for so much going on right now in our world. Courtney B. Vance narrates the story like a younger sounding Morgan Freeman.

All those actors came to the Metropolitan Museum of Art for a swanky Fox Searchlight party celebrating this unique film, quite possibly a Best Picture nominee for next year (and we just finished last year!).

Missing were Bryan Cranston and Scarlett Johansson, who are key to the film. But Frances McDormand and Greta Gerwig (voices of the few humans) and husband Joel Coen, Alessandro Nivola, Jake Paltrow and famous photographer wife Taryn Simon, actress Mickey Sumner and husband Chris Kantrowitz more than made up for them. I also met Anderson actor Tony Revolori, “Me and Earl and the Dying Girl” director Alfonso Rejon. Spike Jonze was in the audience, even Norman Reedus.

By the end of the night, everyone in town seemed to know that the Met lobby was the place to be. Joel Edgerton showed up with a posse that included Young Man of the Year Timothee Chalamet.

The highlight of the party: Bill Murray joining a Brooklyn drum corps hired for the night, and later hugging newly minted Oscar winner McDormand.

The one disappointment: no Yoko Ono, who makes a voice cameo in this brilliant, richly texured, droll concoction that was initiated five years ago before Donald Trump was even a blip in anyone mind.

But “Isle of Dogs” seems like an allegory now for the Trump world. We have a dictator like Mayor Kobayashi who was banned all dogs from the city of Megasaki in futuristic Japan to the scrap heap of Trash Island after causing a fake public health scare about them. (He declares they have incurable dog flu.) It takes the dogs and a band of enlightened kids (I know, doesn’t this sound prescient) to overturn the situation, reveal the Mayor as a fraud, restore the dogs to prominence as meaningful members of society.

Are we just projecting? I think not. Production began in October 2016 for the stop action animation. But seriously, by then the stench of Trump and his plan to deport everyone he didn’t like was becoming clearer.

So here we are with Wes Anderson, truly barking up the right tree. He’s made a brilliant film that far exceeds any regular animated film. It’s a gem, and a piece of art. This story of Man Denigrates Dog is set against an outstanding backdrop created by Paul Harrod, Adam Stockhausen, Curt Enderle and hundreds of artists. Just about every frame has to be studied individually while the snappy dialogue continues– for references to art, history, and culture. Not only that– just the depth of the frames, augmented by tricky lighting, makes the dogs seem three dimensional.

But the whole thing hangs on the characters, who are delineated so exactly by Anderson, Schwartzman, producer Roman Coppola, and actor Kunichi Nomura (he’s the voice of the Trump like mayor). Of course my favorite dog in the pack always has a new “Did you hear?” announcement about the goings on on Trash Island and Megasaki. One of his pals finally turns to him, exasperated, and asks, “Where do you hear these things?” The dog responds, “I pick things up and here and there…I love gossip!” Hilarious.

See this movie!

 

What the Heck was Drew Barrymore Doing on Colbert Last Night? She’s Partners with Jimmy Fallon’s Wife

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Weird segment on Colbert last night. Drew Barrymore showed up to promote her TV, “The Santa Clarita Diet.” Why weird? Drew is business partners with Colbert rival Jimmy Fallon’s wife Nancy Juvonen in Flower Films (one of the nicest peeps in Hwood). In fact, they’ve produced a bunch of movies together including “Charlie’s Angels” installments, “Music & Lyrics,” and the cult hit “Donnie Darko.” Fallon and Juvonen met when he starred with Barrymore in the 2005 rom com “Fever Pitch.”

But here she is telling Jimmy’s competitor that she’s watched all his shows and “loves” him. Something is wrong. But Drew can be finicky. She is well known for not having a great relationship with her own mother, the terrific Jaid Barrymore. Maybe “The Santa Clarita Diet” only appeals to Colbert, not Fallon fans?

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Ratings: “The Voice” Swamps “American Idol” in Second Head to Head Contest by 3 Million Viewers

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Monday night– The Voice swamped American Idol for a second night in a row. The NBC show scored three million more viewers during the first hour and two million more during the second hour.

The Voice had 10.6 million viewers in both hours last night with a 2.2 and 2.3 in the key demo of 18-49. American Idol had 7.5 million viewers in the first hour and almost 8 million in the second hour. But the key demo was 1.5 and 1.7, skewing older.

As I wrote in the last couple of stories, “Idol” seems strangely semi-pro this year. The singers are almost too good, and too prepared for careers. The audience may be sensing that. Also, The Voice is just considered hipper.

Nevertheless, I do like the judges on Idol– Lionel Richie, Katy Perry, Luke Bryan. But again, I am out of the key demo, so I’m not a good judge. Adam Levine, Blake Shelton et al are more appealing to the younger demo. Plus Kelly Clarkson, the original “Idol” star, is on “The Voice.”

“American Idol” Serves Up Another Night of Semi-Pro’s Who Need an Agent, Not the Show

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Monday night– for the second night in a row “American Idol” served up a group of semi-pro’s who don’t need the show as much as they need a manager or an agent.

Top of the list was Brandon Elder of Arab, Alabama. (Yes, you could call him an Arab. Turns out the history of the town is that was supposed to be called Arad, but whoever filed the paperwork in 1892 goofed and now we have Arabs in Alabama. Ironic.)

Anyway, Elder is younger– 23, to be exact. He’s got a full website, a publicist, tours locally, is all over You Tube. He sang one of his own songs, called “Gone,” about his late mother. It’s a hit right out of the box. Sign him up, Capitol Nashville. He’s a star. (Plus he has this great story we’re going to hear all season about how his biological mom traded him to someone for a car. Then he was adopted by a saint who died from cancer. He’s like a Robert Altman character come alive.)


There was a whole show like this– they’ve all got social media already, tons of PR, and so on. In one instance, two sisters came on– one was the accompanist on guitar, the other was supposed to be the contestant. But– what a shock– the 20 year old sister who didn’t come to play got the spot. Katy Perry whispered to Lionel Richie, “She looks like a rock star.” Well, this Payton Taylor was coincidentally all set to go with a whole mini machine in place. I felt bad for the younger sister, who’s 17 and was clearly sandbagged.

Is the show being cynical or is it me? “Idol” obviously is upping its game– as I told you after Sunday’s show. The contestants are all far more accomplished than in the past. There is no William Hung, the 2004 player who was beyond awful. They kept him on as a kind of “Gong Show” hook. No, these people are like Grab n Go pop stars.

Weinstein Company Files For Bankruptcy in Delaware, Lantern Capital Takes Over Assets, All NDAs Have Been Lifted

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It’s the end of an era, that’s for sure.

In Delaware tonight, the Weinstein Company has filed for bankruptcy. The deal to sell to Ron Burkle and Maria Contreras-Sweet is over. Lantern Capital of Dallas, Texas– which was part of their deal — will pay between $300-$320 million and acquire the assets of the company.

Those assets include a few movies that are stored up including “The Upside,” “The War Against Grandpa,” and “Mary Magdalene.”

The big question is who will run this company? David Glasser is gone, forced out after his history was revealed recently. Bob Weinstein is pretty much ruined reputation wise, I can’t imagine anyone wants to be in the same room with him, let alone do business. (Even in Hollywood. Really.)

But Lantern’s plan seems to be to maintain the employees, regroup and move forward. Whether they can have a fund for Weinstein employees who claimed sexual harassment also remains unclear.

Also unclear is what they will call this company? Lantern Films? The Weinstein Company had dozens of Oscar nominations and two Best Picture winners back to back with “The King’s Speech” and “The Artist.”

“The Board selected Lantern in part due to Lantern’s commitment to maintain the assets and employees as a going concern,” the company said in a statement. “The Company hopes that this orderly sale process under the supervision of the Bankruptcy Court will allow it to maximize the value of the Company’s assets for the benefit of its creditors and other stakeholders.”

In addition, this lifts all the non disclosure agreements ever signed by Harvey Weinstein or the Company. I like that Bob Weinstein acts like he knew nothing of these agreements. He must have land to sell us in Kabul.

From the TWC Board:

Today, the Company also takes an important step toward justice for any victims who have been silenced by Harvey Weinstein. Since October, it has been reported that Harvey Weinstein used non-disclosure agreements as a secret weapon to silence his accusers. Effective immediately, those “agreements” end. The Company expressly releases any confidentiality provision to the extent it has prevented individuals who suffered or witnessed any form of sexual misconduct by Harvey Weinstein from telling their stories. No one should be afraid to speak out or coerced to stay quiet. The Company thanks the courageous individuals who have already come forward. Your voices have inspired a movement for change across the country and around the world.

Attorney General Eric T. Schneiderman:

“This is a watershed moment for efforts to address the corrosive effects of sexual misconduct in the workplace. The Weinstein Company’s agreement to release victims of and witnesses to sexual misconduct from non-disclosure agreements — which my office has sought throughout this investigation and litigation — will finally enable voices that have for too long been muzzled to be heard.

My office will continue to fight for victims’ best interests throughout the bankruptcy proceedings, and engage with all parties, including The Weinstein Company and Lantern, in an ongoing effort to advance the principles we set forward when we filed our complaint: ensuring that victims are compensated, employees are protected moving forward, and perpetrators and enablers of abuse are not unjustly enriched. We welcome the parties’ efforts to preserve jobs and pursue justice for victims.

Our lawsuit against The Weinstein Company, Bob Weinstein, and Harvey Weinstein remains active and our investigation is ongoing.”

Ratings: “American Idol” Beaten by New Show (Instinct), Old Show (NCIS Los Angeles), March Madness Basketball

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Week number 2 for “American Idol” on ABC wasn’t so great.

The singing competition was beaten in the ratings by a totally new show– “Instinct,” starring Alan Cumming. And it was also beaten by “NCIS Los Angeles” and March Madness NCAA basketball.

Whoops!

For Cumming, “Instinct” is an out of the box hit built on his popularity from “The Good Wife.” It also followed a hot “60 Minutes” — 10 million viewers on average who watched the great kids from Parkland, Florida and the eye opening Norah McDonell piece on Saudi Arabia. “Instinct” held 8 million or viewers through its hour.

CBS came into the evening at 7pm on a high with 12 million viewers finishing up NCAA Basketball. From there, they took the night.

Pop: Fifth Harmony Calls it Quits After Former Lead Singer Camila Cabello Breaks Out as Star, Last Album Sold Just 39,000

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 Fifth Harmony is kaput. They’ve announced on Instagram that after six years, the girl group that started on the TV show “X Factor” is taking a break to do solo projects.

That’s code for sayonara. Fifth Harmony’s lead singer Camila Cabello left the group last year and broke out as a star with her hit song “Havana.” And that’s how it goes for groups like these– ask the Supremes, Destiny’s Child, NSync, and so on.

The group’s last album, without Cabello, sold just 39,000 copies. Ouch!

It was just over a year ago that I met Fifth Harmony and Camila at LA Reid’s 2017 Grammy lunch at his house in Hollywood. Since then he’s left Epic Records, Camila’s taken off, and Fifth Harmony has retired. Crazy.

 

 

 

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“American Idol” Contestants Ringers? Twin Boys are Sons of Pro in Music Biz, 26 Year Old Woman’s Dad Wrote “Great Balls o’ Fire”

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What is “American Idol” exactly? Is it a place to discover unknown talent only? Or can semi-professionals play too?

Tonight I’m watching the show and noticed a couple of oddities about the new crop of contestants who’ve been moved to the finals in “Hollywood.” As in “You’re going to Hollywood.”

Two sets of players are already in Hollywood, thanks. The 17 year old Sposato twins were extremely accomplished. Well, their dad is Frankie Blue, a long time Hollywood musician and composer. The family lives in Malibu. Frankie Blue accompanied his kids tonight as if he were just a random guy. According to his bio, he “wrote and recorded with Animal Logic (Stewart Copeland, Stanley Clarke), and ventured into the world of remixing and programming for artists such as Tricky, Garbage, Jamiroquai and The Red Hot Chili Peppers (Dave Navarro and Chad Smith),”

This doesn’t mean his boys aren’t talented. They certainly are. But they have a website, they already tour and record, and have been in business for four years at least.

Then there was Amelia Hammer-Harris, a very talented 26 year old singer. Her father was a famous but obscure early rock and roll singer and writer named Jack Hammer (real name Earl Burrows). She told the judges that her dad wrote “Great Balls of Fire” and “Yakety Yak.” In reality, he is credited as a co-writer on the former. But “Yakety Yak” was written by Jerry Lieber and Mike Stoller. Jack Hammer did write a lot of other early rock songs like “Fujiyama Mama.”

Amelia had an amazing voice. Here’s a cover she does of “Crazy in Love.” At 26, I’d say there’s an argument that she’s far more accomplished than the other contestants. She should already be having a career. This may be her resume, in fact.

The Best Selling, Most Downloaded Album of the Week? David Byrne’s Exquisite, Catchy “American Utopia”

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The number 1 most downloaded album or purchased CD of last week? You think Kendrick or Drake or Black Panther?

Wrong. The exquisite “American Utopia” by David Byrne is number 1 with 59,000 copies sold. No streaming. All hard sales.

(Regular radio, even FM stations that play Talking Heads songs, ignore new music by classic artists. It’s a shame. Call your local FM rock station ask for this album to be heard.)

The leader of the Talking Heads, writer of some of the most innovative and memorable music in pop history, has a total winner with “American Utopia.” Some of the songs– like “Everyone’s Coming to My House” and “Doing the Right Thing” — are so magnificent that I’d put them up there with Byrne’s most famous Talking Heads compositions. (And that’s saying a lot because there are MANY of them.)

Byrne is the practitioner of sunny paranoia. His songs sound upbeat but they carry dire warnings. “Bullet” rips through our hearts as much it does the subject of the song. “It’s Not Dark Up Here” could inspire its own “Get Out” sequel. “Every Day is A Miracle” — or is it? “The pope don’t mean shit to a dog” is one of many lines we’ll be quoting like “Once in a Lifetime” preoccupied us in 1981.

I keep circling back to “Doing the Right Thing” — What am I not supposed to do now? What’s that and is it my business? What exactly, exactly did you tell me? What’s good, does that mean it’s right? with its classic melody and soaring violins. Where Byrne used to grate to get attention now he softens us, moves in for the kill.

The music? These are sounds all those other guys on the charts will be sampling. Gorgeous, supple, ironic– and eminently original.

“American Utopia” is so good, you know it won’t be nominated for Album of the Year. It’s just too smart, too delightful.