Saturday, September 28, 2024
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Jim from “The Office” Makes Intense Masterwork Film, Scores a Rare 100 Among Critics, Draws Ryan Reynolds, Blake Lively, Justin Theroux to Premiere

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John Krasinski is in the hearts of many as likeable but snarky Jim Halpert from “The Office.” He’s playing Jack Ryan in the Amazon TV series starting this summer. He’s tried directing– I really like “The Hollars” with Margo Martindale- but hasn’t broken through in movies yet. But now Krasinski– who’s married to actress Emily Blunt– has thrown us a curve ball. He’s re-written, directed and stars in  a little masterpiece called “A Quiet Place” opening on Friday.

This is a tour de force. His friends must know because they turned out in droves last night for the New York premiere. Ryan Reynolds and Blake Lively walked the red carpet, then went to dinner with Krasinski and Blunt while we watched the 85 minute slice of perfection at AMC Lincoln Square. Justin Theroux stayed for the screening. So did Doug Liman, director of “Edge of Tomorrow” and “Made in America.”

The after party was over at Lincoln Restaurant, where Peggy Siegal holds her Oscar Q&A’s in the winter. Classy. Stanley Tucci was there because he co-starred with Emily in “The DEvil Wears Prada” and also he married her sister, Felicity. They’re expecting their second child but sat through the movie. Felicity said, “I know it was pretty brave.” They all loved it.

“A Quiet Place” has a 100 on Rotten Tomatoes, 47 positive reviews. The number will drop. Someone will be the spoiler. But there’s nothing not to like. “A Quiet Place” is one of those rare gems, masterwork that I think movie buffs will study. It’s an ode to Hitchcock, but it’s also totally original.

It’s not just luck. Krasinski has been working toward this writing screenplays (“The Promised Land”) and directing a character driven family story that pre-figures “This is Us” (“The Hollars”).  Like Jim, Krasinski was not not going to stick around the office selling paper. He had bigger things up his sleeve.

“A Quiet Place” doesn’t look like it came cheap. Krasinski used the best crayons in the box. All the below line stuff– cinematography, editing, production design, lighting– is top notch. Marco Beltrami wrote what should be an Oscar nominated score, which is most important since the music is a character. You see, there is barely any dialogue in this film. It’s basically a silent movie. A very noisy one. There’s an alien–Krasinski told me he designed it with ILM– that looks like several million bucks. It is very scary.

The story (based on a screenplay by Bryan Woods and Scott Beck) We meet a family on the run in the woods. We’re told they’re 89 days into something –some kind of alien invasion has wiped out their town and almost everyone in the world, we glean from headlines. These aliens use sound to kill their victims. So the family– unnamed but according to the credits their name is Abbott– must be silent. Any noise will bring their deaths. There’s a mother (Blunt), father (Krasinski), and three children. The daughter is deaf (Millicent Simmonds from “Wonderstruck,” outstanding) so think about that turn in the story– the aliens are hunting for sound, she hears no sound. There’s a reason for all this, I won’t give it away.

The plot: they want to survive. They’ve made it this far. Then something happens. We jump ahead a year. The mother is nine months pregnant. They’ve found asylum on an abandoned upstate NY farm. But the aliens are not far away.

But can you imagine being silent this whole time? Not a word. One false move and your life could be over. Krasinski instills that in us from the opening– I’ve never seen an audience stiffen up so quickly. Right away, you see the filmmakers are not playing games. The audience last night was itself silent for longer than I can remember in any movie. You could hear people breathing. Or chewing pop corn.

“A Quiet Place” is a horror film the way “Psycho” or “The Birds” is– it’s transcendent. It’s about family and loyalty as much as it’s running from the specter of death, and having some hope you’ll make it out alive. The family, that is. Not the audience.

 

 

Adele is Now an Ordained Minister, Married Two Of Her Best Pals in L.A. Backyard Last January

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Adele is keeping busy in Los Angeles, her new home. (She’s rented a mansion high above the Hollywood Hills.)

She’s just revealed that in January she became an ordained minister and married two pals in her backyard. The guys were British chat show host Alan Carr and long term partner Paul Drayton. It was a secret but apparently Carr talked about it on his show today.

Now that Adele has this outfit, maybe she can start recording new songs. Her mega hit album, “25,” is starting to gross moss. It’s time for some new music, Adele.

“Avengers: Infinity Wars” Directors Post Letter Asking for Secrecy About Movie’s Spoilers

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The Russo Brothers have posted an unusual letter to Twitter. They’re asking fans to keep their secrets and not risk letting out spoilers about the upcoming “Avengers: Infinity Wars.” What spoilers? Captain America dies? Someone dies? Everyone dies? Well, we don’t know. But we’ll keep their secrets. It’s the least we can do.

Review: “A Quiet Place” Notches Up Hollywood Couple John Krasinski And Emily Blunt With a Sublime Gem of Horror

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To say that 38 year old actor/director/writer John Krasinski might have reached the pinnacle of his career with his latest “A Quiet Place,” at the outset might seem strange, but John himself admits it could be true as he said on CBS’s “Sunday Morning” yesterday. John noted,  “I know this might be the highlight of my career, and I’m okay with that.”

He later explained that the unabashed kudos he’s getting for his latest film, which he co-wrote (with Scott Beck and Bryan Woods) and directed and which also stars his wife the multi talented Emily Blunt, is unexpected and rattling to him.  But he’s earned all of it. 

“A Quiet Place” is truly a revelation.  A simple premise turns out to be an intense, exciting, poignant and ridiculously scary story.  In a post-apocalyptic world, monsters detect their prey by sound.  So whoever’s ieft has to be majorly quiet and in that quietness Krasinski shows how smart and adept he is.  He’s a thoughtful filmmaker, so his telling of the story wastes not one second, frame or even one word, which are few and far between in the film; the characters rely on sign language and gestures.  The sound /or lack of it is the major character here.  And the cast is perfect. He’s the unnamed Dad, Blunt is the fierce tiger mother, Noah Jupe and Millicent Simmonds are their brave kids.  Simmonds, who is a deaf in real life, is heartbreakingly affecting. 

From the get go with the Title Cards saying what day it is Day 89 the disaster, the suspense builds and the subtle, clever storytelling pulls you in.  Krasinski is right, Hollywood is tough and this kind of adulation might not every happen again for him. But for now, he’s earned it with “A Quiet Place.”

Paramount’s “A Quiet Place,” will be released this Friday, April 6th

Broadway Booms But Jimmy Buffett’s “Escape to Margaritaville” Won’t Make it to Last Call

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Broadway was booming this week, up $20 million since mid February when things looked bleak. Most every show is doing well, or well enough. “Chicago,” running since 1830, has a new lease on life thanks to Valerie Simpson’s guest shot.

This cannot be said of Jimmy Buffett’s “Escape to Margaritaville.” The jukebox musical was roundly panned when it open a couple of weeks ago. Since then, audiences — except for Buffett’s hardcore fans– have stayed away.

Last week “Margaritaville” made just $600,000 in a house that could yield $1,752 million if it sold out. Just 34% of the seats are filled. The show is playing at 60% of its financial capacity. You can hear the parrots crying in the balcony.

So many shows have died in the cold and forbidding Marquis theater in the Marriott Marquis Hotel. “Margaritaville” doesn’t belong there. It’s way too big even if it’s in a tourist hotel that should feed it some natural audience. Buffett’s musical should be scaled all the way down and playing over on West 50th St. off Broadway at New World Stages.

At this rate, the sun is going to set on “Margaritaville” well before the Tony Awards. In three weeks we’ll have a lot of different nominations announced from various groups. When this show strikes out, the closing notice will go up. And everyone can have one last stiff drink.

 

Live “Jesus Christ Superstar” Takes Sunday Night with Over 9 Million Viewers, Beats “American Idol,” Album is Number 1 on Amazon

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Jesus Christ Superstar was a superstar last night, beating “American Idol” with 9 million average viewers from 8pm through 10:30pm. “Idol” scored its usual 7.3 million last night, settling into familiar groove.

The NBC musical was live from Brooklyn with an ecstatic audience watching a hugely talented cast. John Legend, Brandon Victor Dixon and Sara Bareilles led the group, and they were all spectacular. This morning Legend’s people must be getting calls from Broadway producers who want him in their shows.

Dixon, as Judas, stole the show with the musical’s title number. He’s also getting calls today. He’s a rock star.

Meantime, the original soundtrack album for “JSC” from 1970 is sold out at amazon and on back order. Universal Music simply wasn’t ready for the demand. But it can be downloaded– and the album is number on iTunes. The soundtrack to the awful 1973 movie is number 12. But the one to get now is the new album with last night’s performers. That’s number 1 on amazon right now in pre-orders (avail April 27).

PS the “Roseanne” rerun scored just over 4 million viewers, bringing last week’s chaos back to Earth.

 

Whoops! Someone Goofed: The Original “Jesus Christ Superstar” Box Set is Out of Stock at Amazon

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“Jesus Christ Superstar” is live right now on NBC, and the result is that the original box set– digitized– has shot up to number 12 on iTunes. So you can download it.

But if you want it physically–the CD set– you’ll have to wait. Someone at Universal Music goofed. According to amazon, the original version of the box set on CD and the 2012 remixed version are on back order. What? Didn’t anyone think to get ready for tonight’s show? Apparently not.

The good news is that the NBC recording is available on amazon, with John Legend, Sara Bareilles, Brandon Victor Dixon, et al. The production is quite terrific, from the actors and singers to the whole look of the show. What a pleasure to hear live music.

I don’t we ever appreciated John Legend’s voice so much. (His own songs are not this uptempo.) I neve realized he has a texture not unlike Ella Fitzgerald but he can sing rock too! Dixon, of course, and the great Norm Lewis, are Broadway stars. Barielles could get a hit single out of “I Don’t Know How to Love Him.” Back in 1970, Yvonne Elliman sang it on the album (She went onto stardom with the Bee Gees and “Saturday Night Fever”.) Helen Reddy had the hit single. (And PS I have the original box of vinyl, in pristine shape.)

Steve Bochco, Winner of 10 Emmy Awards for Groundbreaking Shows Like “Hill Street Blues,” “LA Law,” Dies at 74

Hollywood lost a real legend today with the death of Steve Bochco at 74. He created “Hill Street Blues,” “LA Law,” and “NYPD Blue” among other classic shows. Bochco changed television with his ensemble dramas and won 10 prime time Emmy awards. He will be sorely missed. He was a tremendous influence on everyone who worked with him and came after.

Bochco’s importance cannot be minimized. With just those three shows he changed the whole landscape of what award winning drama was supposed to look like. “Hill Street Blues” thirty five years later still holds up better than ever. In the case of “Hill Street” and “LA Law,” NBC relied on Bochco to fill their 10pm time slots with appointment TV in the way “Game of Thrones” or “Walking Dead” is now.

Bochco only used the best actors and directors, many of whom he met at Carnegie Tech, now Carnegie Mellon University. It was when he brought “Hill Street to GRant Tinker and MTM (Mary Tyler Moore) Productions that his star soared. And Bochco brought unforeseen value to MTM, which was famous up til then for their quality sitcoms. Bochco’s success propelled Tinker to the presidency of NBC. It was a heady time for all of them.

RIP Steve Bochco. Anyone interested in the history of TV in the 80s and 90s, and Bocho’s shows in particular should read his self-published memoir, Truth is a Total Defense, available on amazon.

Also read this very good piece about Bocho and his stem cell donor by Chris Gardner from 2014.

White Stripes Rocker Jack White Gives Columbia Records Its First Number 1 Album Since Last September

The number 1 album of the week is Jack White’s “Boarding House Reach.” The collection by one half of the rocking White Stripes sold 126K copies of CDs and paid downloads. It had just about no streaming, as streaming has become almost the sole province of hip hop, rap and modern R&B.

What makes White’s achievement all the nicer for Columbia Records is that it’s their first number 1 album since LCD Soundsystem’s self titled album sold around 85,000 copies upon release last September 1st. Prior to that. Arcade Fire’s “Everything Now” was released on July 28 and hit the charts at number 1 on August 3rd.

The Columbia label hasn’t been seen much on the charts otherwise, although other Sony labels like Epic and RCA have had a lot of action in the last year with Camila Cabello and Justin Timberlake, among others. Columbia had a huge run of luck with Adele’s “25” two years ago, but since then has struggled while releasing lots of catalog material by Barbra Streisand, Bob Dylan, Bruce Springsteen and so on. Nice to have some new music for a change!

Not Funny: Marvel’s Deadpool Points Gun at Teddy Bear in Twitter Message from Company Founder Stan Lee

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Marvel founder Stan Lee has released four photos— called “Easter eggs”– for the upcoming release of “Deadpool 2” starring Ryan Reynolds.

One of them is a photo of Deadpool pointing a gun at the head of a teddy bear. This must be funny somewhere but seems odd considering the current gun control debate.

Lee’s site says: “The Marvel Cinematic Universe and associated films are full of “Easter Eggs.” It’s a huge part of what ties the movies together and gives them the depth and scope that they deserve. You can throw all of the explosions and fancy choreographed fight scenes that you want into the pot, but it’s definitely the small things that some hardly notice that makes the “true believers” feel like they are apart of a comicbook culture that ‘s living and thriving.”

The other photos are less alarming. Interestingly, the teddy bear picture isn’t on Marvel or Deadpool sites, just Stan Lee’s. All the other promo material for “Deadpool 2” is irreverent, funny, witty, glib, good stuff. But this picture– not funny and really inappropriate. Here are the other pictures: