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Chills: Watch Gladys Knight, Dionne Warwick, Stevie Wonder Perform at Clive Davis’s Annual Pre-Grammy Party

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The magic of Clive Davis’s annual pre-Grammy dinner is distilled in these two videos from his latest event on Saturday, February 4th, 2024.

Gladys Knight, Dionne Warwick, and Stevie Wonder, and friends like Andra Day, represent the highest echelon pop music. These videos will send chills up your spine.

This is what you don’t see at the Grammys. And luckily, Clive is making a documentary now of all his galas, with performances no one has seen before except the lucky guests.

Savor these people and their musicianship!

Rock Hall Nominees for Induction: Peter Frampton, Foreigner, Dave Matthews, Lenny Kravitz, Cher Obvious Choices

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The Rock and Roll Hall of Fame just announced their nominee for induction for 2024.

Didn’t we just do this?

Anyway, the obvious choices here are Cher, Peter Frampton, Dave Matthews, Lenny Kravitz, and Foreigner.

The rest are nice people but no way. Most of them are modern R&B, and can wait a little longer. There is no one on this list from real rock except Cher. Plenty of R&B classics aren’t in, including Rufus and Carla Thomas, Mary Wells, and Chubby Checker.

Where are Tommy James and the Shondells?

Oasis is a joke. I love Kool & the Gang, but they’re a long shot. Mariah, Mary J, and Sade are not rock and roll.

As for Cher: she told Kelly Clarkson earlier this year, “You know what, I wouldn’t be in it now if they gave me a million dollars … I’m never going to change my mind. They can just go you-know-what themselves.”

But you know, she could be persuaded.

Here are the nominees:

Mary J. Blige
Mariah Carey
Cher
Dave Matthews Band
Eric B. & Rakim
Foreigner
Peter Frampton
Jane’s Addiction
Kool & the Gang
Lenny Kravitz
Oasis
Sinead O’Connor
Ozzy Osbourne
Sade
A Tribe Called Quest

Kanye West Drops Antisemitic Single on iTunes, YouTube, Spotify, Apple, Amazon — Will They Be Brave Enough to Ban It?

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Kanye west has placed his single, “Vultures,” on all the streaming channels — and they approve of it, apparently.

The main offending couplet in “Vultures” reads: “How’m I antisemitic? I Just fucked a Jewish bitch/I just fucked Scooter’s bitch and we ran her like the Olympics”

Scooter is Scooter Braun, who briefly managed West, and is Jewish.

This is hateful and disgusting, but the streaming services are showing no editorial judgement — or integrity. You can download the single on iTunes, and play it everywhere else.

On YouTube there have already been more than 3 million views. On Spotify, “Vultures” has 35 million streams.

This means all those people are singing along to those lyrics. Imagine if the song referenced any other ethnic group, it would have been banned already. But these companies don’t care about bigotry or hate. They just care that Kanye has a hit.

West dropped another single, also. It’s called “Carnival” and the lyrics are too disgusting to reprint here.

All the lyrics can be found on Genius.com, which reprints all this garbage without question. It’s owned by a guy named Tom Lehman, from Brooklyn.
The most offending rap starts at the 2 minute mark.

Ozzy Osbourne Furious with Kanye West for Taking a Sample of Song After Being Denied Clearance Because “He is An Antisemite”

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Kanye West took a sample from Ozzy Osbourne for his new, unreleased album called “Vultures” without getting it cleared.

Osbourne is furious. He denied Kanye permission because “he is an antisemite.” Osbourne’s famous wife, Sharon, is Jewish and so are their children and grandchildren.

Good for Ozzy! No one should clear samples for that album.

I told you previously that West said he couldn’t get clearance from The Weeknd either.

Without clearances on samples, the “Vultures” will not see light of day. It is bootlegged around the internet, and anyone stupid enough to buy a ticket can hear it tonight, live at UBS Arena on Long Island.

Michael Jackson Catalog Sale Completed: Total Value Was $600 Mil Lower Than Announced Last Year

I told you last year that the total value of the Michael Jackson music publishing company would not be $1.8 billion. I was right. It’s come in closer to $1.2 billion.

Variety reported the sale of a 50% interest to Sony Music Publishing was coming. Now they say it’s been completed. Sony will pay $600 million for half of Mijac and MJJ Publishing, although even that number seems high.

As I said last year, Michael didn’t write a lot of his own songs. He did amass a catalog of other people’s songs, which make up a big piece of this deal.

Read my original story here. See in that story all the songs in the catalog. Michael got that idea from Paul McCartney back in 1984.

This deal has nothing to do with the Beatles catalog. For a long time, Warner Chappell Music was the administrator for MJJ. This is a nice coup for Jon Platt, who ran Warner Chappell and is now in charge of Sony Music. Platt was feted last Saturday as an Industry Icon at Clive Davis’s pre Grammy dinner. He spoke for a long time but never mentioned this deal!

PS On a non business note, I ran into Paris Jackson at the Warner Music party last week. She is absolutely lovely, and a knockout beauty. Paris is making music and considers herself a rocker, which is fine. But something tells me bigger things are coming for her. Just hold on. Michael did a good job with his kids!

Oscars News: Casting Award Coming in 2025, Jimmy Kimmel’s Writers Announced for March 10th

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Lots of news as the Oscars approach on March 10th on ABC.

For next year in 2025 — not this one — a Best Casting Director will be added. It’s about time! The casting directors are the beating heart of movies. Maybe next will come something for Stunts. But this is good news!

For this year’s show, Jimmy Kimmel’s writing staff has been announced including Kimmel himself and the great Carol Leifer.

Writers for this year’s show include Jamie Abrahams, Rory Albanese, Amberia Allen, Tony Barbieri, Jonathan Bines, Joelle Boucai, Bryan Cook, Blaire Erskine, Devin Field, Gary Greenberg, Josh Halloway, Eric Immerman, Jesse Joyce, Jon Macks, Mitch Marchand, Greg Martin, Jesse McLaren, Molly McNearney, Keaton Patti, Danny Ricker, Louis Virtel and Troy Walker.

The amazing Rickey Minor returns as Musical Director after doing such a terrific job at Clive Davis’s Grammy gala.

Rob Paine returns as co-executive producer, and Taryn Hurd returns as talent producer. Producers Sarah Levine Hall, Erin Irwin and Jennifer Sharron, plus lighting designers Bob Dickinson and Noah Mitz also rejoin the team.

Executive producer and showrunner Raj Kapoor and executive producers are Molly McNearney and Katy Mullan. As previously announced, the show’s production team also includes director Hamish Hamilton and production designers Misty Buckley and Alana Billingsley.

Kanye West Has Listening Party for New Album, Chants That He’s an “Anti-semite,” Says The Weeknd’s Label Won’t Approve Participation

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Kanye West did not drop his new album, “Vultures,” last night. It’s not a surprise, frankly, and just as well.

The avowed antisemite and Hitler admirer should be shunned, away. I’m amazed anyone wants to hear what he has to say beyond what he’s already said. All his sponsors and business partners have dropped him because of it.

In Chicago last night, West filled up an arena for a listening party for “Vultures.” It didn’t start until 10pm. According to some reports, the live stream — which could be purchased for $19.99 — was cut off when West chanted “I’m still crazy, bipolar, antisemite, and I’m still the King.”

A post from West on X, taken from a deleted text he shared, claimed he couldn’t release the album because “Abel’s label” — meaning Universal, which distributes The Weeknd — wouldn’t approve their artist’s participation.

Tonight, West moves the circus to the UBS Arena near Belmont Park here in New York. According to Ticketmaster, there thousands of seats available.

PS Kudos to Kim Kardashian for letting her daughter, North, participate in this chaos.

Review: Billy Joel is Really Back This Week as Usher Samples a Lot of “Uptown Girl” Amid Forgettable Songs On 1st New Album in 8 Years

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What is the point?

On Usher’s new album, “Coming Home,” the R&B star covers Billy Joel’s “Uptown Girl.” He calls it “A-Town Girl” — meaning Atlanta — and then adds 9 other writers to the credits besides Joel.

Again, why? Because it’s one of maybe two songs on the new album that has a discernible chorus or melody. The rest of the collection is the usual mish mash of material that’s instantly forgettable.

You’d think after all this time, Usher would get the idea and record actual songs by songwriters. Eight seems to be the magic number, although some of these non tunes have just six or seven writers. There are two tracks previously available in other places including the excellent “Risk it All,” written by HER (Gabi Wilson) for the movie “The Color Purple.”

The only other track that stands out is called “Keep on Dancin'” with five songwriters. But it least it has a normal structure and it sticks in your head.

This isn’t to say that Usher won’t have a successful Super Bowl show on Sunday. He’s got enough older hits to get through, and he can throw in these two as well. But if he’s going to have everyone in the Las Vegas arena singing “Uptown Girl,” he might as well include Billy Joel as his special guest. There’s a reason Billy is back this week with a hot new record and Grammy appearance. The good songs and songwriters never go away.

“Coming Home” is self-released by Usher and LA Reid, and not on a regular label. The distributor is the new Apple backed company, Gamma. Apple is also underwriting the half time show on Sunday. But the computer giant probably won’t be able to use these lyrics in its commercials, like: “Won’t just open your legs (Ooh-ooh) / And then leave you for dead (Oh)”

this one is classic, too: I seen a million girls, but ain’t seen none like you
I got options, baby, but you still the one I choose

That’s the way to make a girl feel special!

Elton John Oscar Party to Feature Hot New Group The Gabriels, Elizabeth Taylor AIDS Benefit Will Honor Concert Guru

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The two best charities for AIDS research are going to busy this winter and spring.

The Elton John AIDS Foundation will have it annual Oscar party in West Hollywood on March 10th. The very hot new R&B rock group The Gabriels are going to perform. You know every year the musical guest is on the edge of taking off big time.

Sir Elton, David Furnish, Neil Patrick Harris, and David Burtka are the co-hosts along with Tiffany Haddish. Iris and Michael Smith for serving as the evening’s Co-Sponsors. Presenting sponsors are A+E Networks, Chopard, Gilead Sciences, Health Care Advocates International, Robert and Dana Kraft, Bob and Tamar Manoukian,and Cheryl and Haim Saban.

“As a father and an AIDS advocate for over three decades, I want to see my sons grow up in a world where AIDS, and the stigma and inequality that drives it, are history,” says Elton John, Founder, Elton John AIDS Foundation. “Everyone deserves to live a healthy life, free from violence and discrimination. I’m so grateful to my big-hearted friends Neil Patrick Harris, David Burtka and Tiffany Haddish, and one of my favourite fresh acts, Gabriels, for stepping up to help us raise funds at this year’s Oscar Party to further my Foundation’s mission.”

Please visit www.eltonjohnaidsfoundation.org for additional information.

Then, on May 8th at the Rainbow Room, the Elizabeth Taylor AIDS Foundation will honor Live Nation concert guru Arthur Fogel. Arthur’s official title is President, Global Touring and Chairman, but to everyone who knows him Arthur is a magician who keeps all the A list stars from Lady Gaga to Madonna to U2 selling out arenas and stadiums in complex, brilliantly conceived shows. Presumably he’s got a few of his stars taking the legendary Rainbow Room stage.

Tickets are available at info@etaf.org

So two nights of great music for an important, each on a different coast. Go to both!

Will This Be the End of “Days of our Lives”? Stunning Lawsuit from Arianne Zucker Threatens Long Running Show’s Existence

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Actress Arianne Zucker’s lawsuit against her now former employer, “Days of our Lives,” went public big time today at a press conference. Zucker says she was fired last fall when NBC, the show, and producer Ken Corday retaliated against her for exposing EP Albert Alarr as an alleged sexual harasser.

Zucker has been a featured player on NBC’s 59 year old show, “Days of our Lives,” since 1998. The show is produced and owned by Ken Corday, whose parents — Ted and Betty — created it in 1965. Ted Corday died from cancer just a few months after the show debuted. For decades, his widow was in charge and the show was so hot it made the cover of Time magazine.

But in recent years, Ken Corday has turned “Days of our Lives” into a “Soap” style self-parody, with lots of science fiction stories, and two runs at having Satan take over characters’ lives. A couple of seasons back, NBC moved “Days” over to streaming on Peacock, where possibly about 1 million watch it. (That’s an estimate, since streamers don’t report numbers.)

At the press conference today, Zucker alleged constant harassment from former executive producer Albert Alarr over the last few years. Last spring, the show’s filming was paused for an investigation into Alarr’s treatment of actresses. He was fired in August.

That was around the time Zucker’s latest headaches began. She was briefly written out in 2018 but then returned to play Nicole Walker, a popular character. But now she was offered less pay for a new contract, and then dismissed. Because “Days” is taped well ahead, she’ll be in episodes for a couple more months. But it’s clear “Days” and Corday retaliated against her for being part of the group that pushed Alarr out.

Today, just before the press conference, Alarr and Corday denied all allegations and attacked Zucker. The show’s remaining, dwindling fans do not believe them. They are siding with Zucker. During the press conference, an actor who shares scenes with Zucker, Greg Vaughn, was tuned in to see what she had to say. Among the revelations in her suit and in person today: Corday Productions has no human resources department. And Zucker was ignored by Sony TV, which distributes the show.

Alarr’s attorney said: “As Albert said when Ms. Zucker first leveled these outrageous claims through the press last year, her baseless allegations were examined in a detailed and entirely independent investigation that lasted for two months. Dozens of individuals cooperated and every claim was thoroughly looked into. At the end of that process, the decision was made that Albert should continue in his role as Co-Executive Producer of Days of Our Lives.

He continued: “As Ms. Zucker’s own lawsuit all but admits, at a time of industry-wide cutbacks, she was aggressively seeking a significant personal pay increase and additional influence on the show. Having failed in those attempts, she is now – again – trying to exploit vile stereotypes to denigrate and demean a Black man who was in a position of power. Well, enough is enough. Every day for decades, Albert worked with hundreds of people who can – and will – testify about the falsity of Ms. Zucker’s mischaracterizations of him. We relish having a chance to share the truth and putting an end to her offensive claims once and for all.”

But Kola Boof, a former “Days” writer, said on X:

ALBERT ALARR was the “BOSS” & SHOW RUNNER of “Days of Our Lives”–he is married to a White woman that he appointed to the show as a Writer—-we have video clips of Mr. Alarr being inappropriate with female actresses on the show. We have set people whispering that Mr. Alarr behaves with the mindset of a male from the 1960’s and 1970’s (his humor, his viewpoints, his way of directing love scenes–he’s an Old School Good Ol Boys imitator). We have dozens of WOMEN who are telling the same exact story about this one man.

“I believe the accusations that ARI ZUCKER has brought against him are true and factual based on the overwhelming “word of mouth” and testimony of countless women behind the scenes at DAYS. They can’t all be “out to get a Black man.

“He’s using that argument because frankly –he has little else to stand on. KEN CORDAY allowed him to get away with this behavior for DECADES–and now times have changed & women don’t tolerate this behavior anymore & his actions are memorable and deplorable and have caught up with him.

“This is not about RACE. This man thinks his behavior is “Cute” & now it’s game over.”