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Mary Kay Place Gives One of the Finest Performances of Any Year in Understated Indie, “Diane”

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Mary Kay Place became an overnight TV star as wannabe country singer Loretta Haggers over forty years ago on “Mary Hartman, Mary Hartman.” She won an Emmy award and never looked back, working all the time without interruption in “The Big Chill,” lots of movies and lots of quality TV including a recent two parter on “Grey’s Anatomy.”

Writer director Kent Jones remembered her in a 1997 Francis Ford Coppola movie called “The Rainmaker” and decided she’d be perfect to play the part of his mother in a semi-autobiographical movie that opened this week at the Tribeca Film Festival. Mary Kay plays “Diane,” the lead character in a beautifully understated, subtle indie film that should earn her a lot of awards attention this fall. “Diane” just needs the right distributor, like Sony Picture Classics, to push it along.

What a little gem “Diane” is and so is the character. Diane and her extended family live around Pittsfield, Mass. Her husband is dead– we think from cancer, after working in factory. Her grown son is battling drug addiction. Her family is quickly dying off. And there’s Diane, who does for everyone else, beats herself up over one life mistake made 20 years ago. She’s kind of an everywoman but she’s not sentimental and she’s not looking for sympathy.

Jones surrounds Mary Kay with a great group of friends including Andrea Martin, Estelle Parsons, Joyce van Patten, Phyllis Somerville, and Deirdre O’Connell (who must get her name added to the IMDB page for this movie). Jake Lacy is a standout as Mary Kay’s son who may or not make it after trying to self-destruct in so many ways.

Women of a certain age (baby boomers) who are caught between their aging children and parents will identify strongly with Diane’s life. Mary Kay doesn’t wear her as an obvious warrior, but a survivor– a do-er– who is dedicated to making it to the finish line. Diane is noble, but not overtly, and there’s a scene of her dancing to a jukebox in a bar that is really one of the triumphs of acting– you’ll never forget it. Bravo!

Ryan Gosling, Damian Chazelle May Get “La La Land” Oscar Revenge with “First Man” About Moon Landing

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Ryan Gosling and Damian Chazelle were robbed two years ago when the actor and the movie “La La Land” failed to win their Oscars– big time.

But today the pair have returned at Cinema Con in Las Vegas with the trailer for “First Man,” their new movie. And look out– according to reports, they may yet get their revenge.

“First Man” concerns Gosling as Neil Armstrong taking the first walk on the moon. Tweets from Cinema Con are glowing with enthusiasm.

The movie will be released this fall by Universal. And value added: Claire Foy, aka The Queen from the Crown, plays Mrs. Armstrong. Bryan D’Arcy James, Corey Stoll, Jason Clarke are also featured.

We can’t wait to see this trailer! Or to hear the soundtrack! Justin Hurwitz, who wrote all that great “La La Land” music with Pasek and Paul, is the composer.

Is this the new odds-on Oscar favorite? You betcha. Chazelle is gifted. And everyone loves NASA movies. “Apollo 13” won Best Picture. “Capricorn One” was so good that people in red states think it was real!

“Roseanne” Ratings Fall to Earth as Reruns of First 4 Shows Beaten Soundly By “The Voice,” and an “NCIS” Repeat

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“Roseanne” fell back to Earth last night.

Five weeks in, ABC ran not an original episode but a two hour “marathon” of the first four episodes. They averaged 6.1 million viewers, way off from the 13 million of the last two weeks and 15 million of the premiere week.

Indeed, “Roseanne” fell spectacularly in the 9-10pm hour to “The Voice” with its 9 million pairs of eyes.

The comedy was also beaten by back to back reruns of “NCIS” at 8pm and 9pm, with nearly 7 million.

But “Roseanne” is still scoring high with women in the 18 to 49 demographic, so advertisers and ABC are happy, happy, happy.

The show returns next week with a new episode. In the meantime, here’s a look back:

 

Robert Smigel Directs Adam Sandler, Chris Rock for Netflix But Where is Triumph the Comic Insult Dog? “In a Duane Reade Bag”

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Adam Sandler, who is always taciturn when it comes to talking to the press, told journalists on the red carpet at the premiere of his new comedy, “The Week Of,” Monday night at the AMC Lincoln Square, “Hopefully people will connect with it and why we did it.”

Sandler plays a working class dad who wants to give his daughter (Allison Strong) the wedding of her dreams. Chris Rock plays the wealthy surgeon dad of the groom who volunteers to pay for the wedding Sandler’s character can’t afford.

Rock said on the red carpet, “Adam’s the lead, I play the tambourine. I play a mean tambourine— and we got a guy with no legs (in the film) so that made for interesting banter.”

Robert Smigel, a Saturday Night Life writer, is making his feature directing debut with the film. He also co-wrote the script with Sandler.

Smigel is probably best known as the creator of Triumph, the Insult Comic Dog. He’s a sort of Don Rickles of puppets, a Rottweiller with a growly voice and a bad attitude, always chomping on a cigar. Triumph hasn’t been around for a while. On the red carpet I asked Smigel what it was like being in the director’s chair for the first time and what Triumph was up to.

What would Triumph say about this movie?

Robert Smigel: (He launches into Triumph’s scratchy voice) “I can improve on the script. Give me five minutes and a couple of drinks of water and … I read it. I’s very absorbing.”

Where’s Triumph been during all the political meshuggah?

RS: He’s been in a Duane Reade bag. I actually had to make a choice. Adam offered me this opportunity and I decided I was going to take pretty much the whole 2017 (off to do it). I was excited about this project and I felt like I got a lot of Triumph in 2016. And you know what, it became less fun the fewer candidates. I started in Iowa, New Hampshire, then it was the conventions and then it was just the last man standing. Everybody’s piling on anyway, and I didn’t feel like I had that much more to contribute from that perspective but I will try to get back into it. I’m talking to some people about an insane idea that I’m not sure I can pull off.

What inspired “The Week Of?

RS: It’s a very human, relate-able story. It’s about a father of a bride who doesn’t have a whole lot of money but too much pride to let anybody else pay for the wedding. It was Adam’s premise, but Adam and I, we bring a lot of silly things together but one of the ways we bonded at Saturday Night Life was because we both have very close knit families. We both worshiped our fathers, so you know it was easy for us to write this kind of character comedy. We never go to do it before, so it’s sort of a culmination of our friendship in a way, creatively, to finally get to write about our lives this way.

This is your first time directing a film. So what was it like directing Chris Rock and Adam Sandler?

RS: I mean I know them both so well. They’re both very good friends of mine so I felt very comfortable with them. And Adam especially really had my back. He surrounded me with amazing people. You know the director of photography was amazing, so I really felt like I really had a lot of safety nets, so it was shockingly fun. I didn’t expect it to be. I expected agony. ‘Cause usually when I work, the most fun part is coming up with the initial idea. Then the rest is just executing it. It’s agony just getting every detail right. I’m a detail freak.

It seems critics are always shocked when Adam Sandler does a film like “Meyerowitz Stories” and shows he can act.

RS: I don’t know why they’re shocked at this point. He’s done it so many times. He’s actually amazing in some of his own movies. He never gets credit for that. I think his performance in this movie is as good he was in the Meyerowitz movie. It’s a very human role.

How will this comedy stand out from the other offerings on Netflix?

RS: I hope it stands out a little bit because Adam set out when he had this idea that the movie would not look like a typical summer comedy. It would have more realism, more verite feel to it, almost like an independent film kind of style. We talked about John Cassavetes as one of the directors we admired… It’s definitely got a different energy. We didn’t write it towards one liners, we wrote it towards characters and situations. Some of the situations get very broad, but the characters always stay grounded and recognizable.

You don’t mention the inter-racial aspect of the marriage do you?

RS: I felt like it’s kind of boring at this point to make an issue of it. I wanted to look forward and think about there’s been so much progress in that regards since “Guess Who’s Coming to Dinner.” I thought it wasn’t worth commenting on. There were a couple of times when jokes were suggested that would allude to it and I tried to go out of my way to keep them out of the movie. I don’t think you miss it.

“The Week Of” premieres Friday, April 27 on Netflix.

Kanye West’s Morning Meltdown: “I am this generation’s Ford Hughes Jobs Disney…Yeezy will become the biggest apparel company in human history”

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Kanye West is looking for attention this morning and he’s going to get it. He’s issued a series of Tweets declaring: “I am this generation’s Ford Hughes Jobs Disney”

There will be more to come. I’ll try to update them. It’s a game at this point to see how outrageous and over the top he can be to get publicity. He does say he fired his manager and lawyer, that he can’t be managed, and that his lawyer wouldn’t leave his huge law firm to come work for Kanye in house.

there’s been a lot of fake news so I just wanted to give you the facts. Yeezy will become the biggest apparel company in human history by working with the most genius level talents and creating product at an affordable price. I hired the head of supply chain from the Gap.

Rocker Bebe Buell Brings Outstanding Nashville-Asbury Park Album to Joe’s Pub: “While I deal with my Me Too moments privately, I say, Stormy Daniels for President”

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It’s a big week for rocker Bebe Buell, the release of a new album, “Baring It All: Greetings from Nashbury Park,” and a show this Sunday night (April 29th) at Joe’s Pub. Last time she made the New York scene at this premiere downtown venue it was packed to the rafters. She gives a great show, with a sweetly throaty Grace Slick-esque voice, a dream rock band, and a muscular performance that plays to her ardent fans.

And she has stories (read her wonderful memoir, “Rebel Heart” for details) a Ford model at age 18, launched in to the world of Andy Warhol and Max’s Kansas City, a long relationship with rocker Todd Rundgren, a baby who became a movie star (Liv Tyler) with Steven Tyler, and her lifelong fight to move from muse to rock star.

As Bebe told me in this interview a week before the album release, the music on “Baring it All” is close to the bone, the album an autobiography –and that coming from a woman has who had had a front seat, often center stage, to rock history. Joe’s Pub will be an event. You never know who will show up! (Last time, it was Stevie van Zandt and his wife Maureen, among other notables).

How is the music different from your earlier records?

In 1994, I put out my first record in France, “Retrosexual.”  Now, at 64, I’ve made the best album of my life, this is a record for everybody. Each song is a chapter like a book.

What do the songs on Baring It All mean to you?

I hope “By a Woman” will become a feminist anthem. The songs are
personal. I was raised by a strong woman—you’ll meet my mother at
Joe’s Pub—when I sing the lyric “You’re finally starting to feel the
power of a woman,” I think of this moment: we’ve got all these Me Too
stories, how tragedy brought this fight to the forefront. The only
cover on the album is “Yesterday When I Was Young,” from Dusty
Springfield. “Can You Forgive?” is for Todd Rundgren. I wanted to be
truthful. In “Frenemy Mine,” well, I’ve decided to deal with some of
my issues privately.

The back of Baring It All reads “Greetings from Nashbury,” which
suggests a mashup of locations. How are places significant?

I grew up in Virginia Beach, and lived in Maine. I went to Asbury Park
with Todd—I was impressed by Convention Hall. There was something
about the air and vibe, especially when I went for the summers. Now
I’ve moved to Nashville, where songwriting is an art, and I am
learning from this company. My next door neighbor (highly regarded producer) Jon Tiven has a set
up. I go over there. We sit around a table. I’ll have a hook, and a
community of artists helps me develop a song. I never went to college;
now I’m getting my doctorate in everything.

What image of you would you like to change, or keep?

I’ve been a rebel and a punk rocker. People need to focus on my animal
activism; I raised a successful daughter. While I deal with my Me Too
moments privately, I say, Stormy Daniels for President. I’m happily
married for 16 years, to Jimmy “Walls” Wallerstein, a virtuoso
guitarist and record producer.

What is your message?

Open your eyes a little. I like to show people another way to go, humanism. I’m on my “isms.” I want it to be like when you heard “Tapestry” or “Sticky Fingers” for the first time, you wanted to listen from beginning to end.

Kanye West Has Tweeted 140 Times in 10 Days, Backed Trump, Suggested a 2024 Presidential Run, Announced Several Albums, Lost His Manager

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Kanye West’s 2018 spring breakdown is now ten days. It began on April 15, the day he returned to Twitter after almost a year away following his 2017 breakdown.

He’s backed Donald Trump again, suggested a 2024 Presidential run after I guess cancelling his 2020 run. He’s endorsed a crazy black female ultra-right personality, shown pictures of women’s shoes he’s designed that look like Lucite picture holders. He’s announced several albums including maybe one solo, one with Kid Cudi, and few he’s produced and will release.

I didn’t know that back on March 29th, Kanye’s long time manager and confidant, Izzy, left. That’s a very bad sign. Then Page Six reports that Scooter Braun, who’s got enough patience to have lasted all this time with Justi Bieber, has also left Kanye. Braun has been through too much to tolerate this craziness.

Let’s not forget that Kanye’s 2016-2017 nosedive into mental chaos came when he released “The Life of Pablo” with no marketing or PR or really a label, then re-released it, and it sold a very measly 27,700 copies. He placed it on Jay Z’s long suffering Tidal service, where streaming has brought it up to a million copies (maybe). Kanye thought he was Pablo Picasso when in fact he wasn’t. (We could have told him that.) He also claimed he had no money and went around asking people for some. “Pablo” has not been a great money maker. (One of his problems on all his albums is paying for samples of old music. He doesn’t write his own.)

Kanye continues to sink lots of money into his fashion lines. They are unwearable, not wanted except by collectors and hard core fans. His sneakers make your feet ache just by looking at them.

But the Tweets keep on coming. And it’s not getting better.

Trump’s First State Dinner: No Movie Stars, Artists, Performers, or Media Stars or Famous Chefs to Greet French President

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I’ll bet right about now, French president Macron and his wife are wondering why they came to the White House. It wasn’t to meet Donald and Melania.

The Macrons were thinking they were guests of honor at a White House state dinner, the kind thrown by the Obamas or the Clintons or even the Bushes. Emmanuel Macron thought he’d be sitting next to Shirley MacLaine or Jessica Chastain. Mrs. Macron envisioned George Clooney or maybe Robert Redford.

Maybe Sting would be performing, or Aretha Franklin.

Instead, the Macrons didn’t meet one movie or pop star tonight. No one from Hollywood came, no one from TV or the media except maybe Rupert Murdoch. No Diane Sawyer, no Oprah, no Tom Brokaw.

There were no painters, sculptors, artists, musicians of any ilk. America, the country that exports its culture around the world, couldn’t turn up one member of even the literary world to meet the Macrons. There wasn’t even a famous French chef from America, even with all the cooking shows.

No, the state dinner tonight comprised a guest list of Republican senators and congressmen, dry dignitaries, no one the Macrons could even gossip about in Paris.

What? No Ted Nugent? No Scott Baio? What about Trump’s “good friend” Sylvester Stallone, who told him–l0l–about the boxer Jack Johnson?

Apparently, everyone was busy. Tuesday night, you know. Even Roseanne Barr was tied up. And Kanye West? They’re running around the Kardashian home right now with a big fish net and a tranquilizer gun.

“I thought we’d at least get to meet Ivana or Marla,” said Mrs. Macron to no one, because I made it up. Maybe.

REVIEW Can it Be Done? Disney-Marvel Looks to Top Themselves After “Black Panther” with “Avengers: Infinity War”

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This winter has been a wild ride for Disney and Marvel: their “Black Panther” is now the third biggest movie of all time. It’s historic and a phenomenon. So now what?

Now what is “Avengers: Infinity War” which opens technically tomorrow night. This is the third “Avengers” movie with one more to come, but it’s also the umpteenth movie with a rotating cast of characters, some of which have had other movies like Iron Man, Spider Man, Thor, his brother Loki, Peter Quill and his guardians of the galaxy, and so on.

Nearly all the Marvel characters from the Disney movies are in “Infinity War” with the exception, notably, of Jeremy Renner’s Hawkeye and Samuel L. Jackson’s Nick Fury (kind of). Some are under used, like Anthony Mackie’s Falcon. This is a hard movie to describe because everyone wants to know what happens and no one wants to know what happens. The IMDB lists characters who aren’t even in the movie. So we walk a fine line.

I guess the main thing to know here is that Thanos is the villain, played so beautifully by Josh Brolin that I really started to like him despite his obvious shortcomings. Thanos is the Bashar al-Assad of Marvel movies. I don’t know if there’s an intentional political undercurrent, but you’re going to recognize it. He is psychotically interested in causing death.

The main Avengers are determined to repel him, and they include Robert Downey Jr as Iron Man, Chris Evans as Captain America, Chris Hemsworth as Thor, Elizabeth Olsen as Scarlet Witch (she really shines in this film), Zoe Saldana as Gamora (ditto), and Benedict Cumberbatch as Dr. Strange. To a lesser degree we do see Tom Holland as Spider Man, Scarlett Johansson as Black Widow, Chris Pratt and his gang from “Guardians,” and of course– because they are hot right now– Chadwick Boseman as T’Challa from “Black Panther” and Letitia Wright and Danira Gurai.

“Infinity War” is full of thrilling stuff as characters who do not know each other cross over, and mix it up. Tom Holland is fun as he meets other super heroes and asks if they’re using their real names or their aliases. The directors, the Russo Brothers, don’t have a lot of time for characters to work in their back stories or prior relationship because the action never stops– but that’s okay. By now we know a lot of it.

As we’re coming to the end of this series– maybe– and this is part 3 (kind of ) the Russos know we are getting rid of some people, seeking closure (kind of). So yes, characters do die. There seem to be two kinds of death– definite death, contained within the story structure, and seems real. Then there’s another kind of death, that feels implausible but happens nevertheless. You have to watch this movie to the very, very end, through the credits, and then some, and we are still left with questions. Lots of them. Luckily, in a year, we may get some answers.

At last night’s press screening, the audience was silent– SILENT– from about the last ten minutes, through the credits, and the usual Marvel end teaser. I mean, no one stood up, no one left. When everything was over, to the last drop, the ushering out was also like you could hear a pin drop. I don’t know what’s happened in the LA screenings. But “Infinity War” takes chances like no other super hero film. It’s a big roll of the dice. Will it be worth it? I have think so. But I’m curious about reactions.

Some last minute things: I just love Danai Gurira. I really want to see more of her on film. Also, not stressed by their own movies a lot of the guys seemed more relaxed– like Chris Evans and Chadwick Boseman. Benedict Cumberbatch is a tremendous actor– there are Cary Grant type roles for him somewhere. And I do wish I’d seen more of Falcon. Josh Brolin rocks.

Otherwise, “Infinity War” is an A, I’d give it a 90+ or whatever, and I’m looking forward to seeing it again.

Broadway: Outer Critics Go Big for “Angels in America,” “SpongeBob,” “Frozen,” “Mean Girls”

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 The Outer Critics Circle nominations came out today. The only omission really is “The Band’s Visit” which they awarded last year and should win the Tony this year for Best Musical. Otherwise, in a desultory season, these are the results.

Outer Critics Circle

2017-2018 Award Nominations

 

OUTSTANDING NEW BROADWAY PLAY

The Children

Farinelli and the King

Harry Potter and the Cursed Child

Junk

 

OUTSTANDING NEW BROADWAY MUSICAL

Escape to Margaritaville

Frozen

Mean Girls

Prince of Broadway

SpongeBob SquarePants

 

OUTSTANDING NEW OFF-BROADWAY PLAY

Admissions

Cost of Living

Hangmen

The Low Road

Mlima’s Tale

 

OUTSTANDING NEW OFF-BROADWAY MUSICAL

Cruel Intentions

Desperate Measures

Jerry Springer- The Opera

Miss You Like Hell

Woody Sez

 

OUTSTANDING BOOK OF A MUSICAL

(Broadway or Off-Broadway)

Tina Fey     Mean Girls

Quiara Alegría Hudes     Miss You Like Hell

Kyle Jarrow     SpongeBob SquarePants

Peter Kellogg     Desperate Measures

 

OUTSTANDING NEW SCORE

(Broadway or Off-Broadway)

Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith,               Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I., Domani & Lil’C,      Jonathan Coulton, Tom Kitt                 SpongeBob SquarePants

David Friedman & Peter Kellogg          Desperate Measures

Imogen Heap                   Harry Potter and the Cursed Child

Quiara Alegría Hudes                             Miss You Like Hell

Kristen Anderson-Lopez & Robert Lopez              Frozen

OUTSTANDING REVIVAL OF A PLAY

(Broadway or Off-Broadway)

Angels in America

Jesus Hopped the ‘A’ Train

Lobby Hero

Three Tall Women

Travesties

 

OUTSTANDING REVIVAL OF A MUSICAL

(Broadway or Off-Broadway)

Carousel

My Fair Lady

Once on This Island

Pacific Overtures

 

OUTSTANDING DIRECTOR OF A PLAY

Jo Bonney     Cost of Living

Marianne Elliott     Angels in America

Patrick Marber     Travesties

Joe Mantello     Three Tall Women

John Tiffany     Harry Potter and the Cursed Child

 

OUTSTANDING DIRECTOR OF A MUSICAL

Michael Arden     Once on This Island

Bill Castellino     Desperate Measures

Tina Landau     SpongeBob SquarePants

Casey Nicholaw     Mean Girls

Bartlett Sher     My Fair Lady

 

OUTSTANDING CHOREOGRAPHER

Camille A. Brown     Once on This Island

Christopher Gattelli     My Fair Lady

Christopher Gattelli     SpongeBob SquarePants

Steven Hoggett     Harry Potter and the Cursed Child

Justin Peck     Carousel

 

OUTSTANDING SET DESIGN

(Play or Musical)

Miriam Buether     Three Tall Women

Myung Hee Cho     In the Body of the World

Christine Jones     Harry Potter and the Cursed Child

Michael Yeargan     My Fair Lady

David Zinn     SpongeBob SquarePants

 

OUTSTANDING COSTUME DESIGN

(Play or Musical)

Katrina Lindsay     Harry Potter and the Cursed Child

Clint Ramos     Once on This Island

Paloma Young     Time and the Conways

David Zinn     SpongeBob SquarePants

Catherine Zuber     My Fair Lady

 

OUTSTANDING LIGHTING DESIGN

(Play or Musical) Kevin Adams     SpongeBob SquarePants

Neil Austin     Harry Potter and the Cursed Child

Paule Constable     Angels in America

Paul Russell     Farinelli and the King

Lap Chi Chu     Mlima’s Tale

 

OUTSTANDING PROJECTION DESIGN

(Play or Musical) Tim Reid     1984

Finn Ross     Frozen

Finn Ross     In the Body of the World

Finn Ross & Adam Young     Mean Girls

Finn Ross & Ash Woodward     Harry Potter and the Cursed Child

 

OUTSTANDING SOUND DESIGN

(Play or Musical) Gareth Fry     Harry Potter and the Cursed Child

Kate Marvin     [Porto]

Fitz Patton     Napoli, Brooklyn

Marc Salzberg     My Fair Lady

Darron L. West     Mlima’s Tale

 

OUTSTANDING ORCHESTRATIONS

Jason Robert Brown     Prince of Broadway

Tom Kitt     SpongeBob SquarePants

AnnMarie Milazzo & Michael Starobin     Once on This Island

Jonathan Tunick     Carousel

Claire Van Kampen     Farinelli and the King

 

OUTSTANDING ACTOR IN A PLAY

Sean Carvajal     Jesus Hopped the ‘A’ Train

Andrew Garfield     Angels in America

Tom Hollander     Travesties

Gregg Mozgala     Cost of Living

Michael Urie     The Government Inspector

 

OUTSTANDING ACTRESS IN A PLAY

MaameYaa Boafo     School Girls; Or, the African Mean Girls Play

Jessica Hecht     Admissions

Glenda Jackson     Three Tall Women

Lauren Ridloff     Children of a Lesser God

Katy Sullivan     Cost of Living

 

OUTSTANDING ACTOR IN A MUSICAL

Harry Hadden-Paton     My Fair Lady

Joshua Henry     Carousel

David M. Lutken     Woody Sez

Conor Ryan     Desperate Measures

Ethan Slater     SpongeBob SquarePants

  

OUTSTANDING ACTRESS IN A MUSICAL

Lauren Ambrose     My Fair Lady

Erika Henningsen     Mean Girls

Hailey Kilgore     Once On This Island

Taylor Louderman     Mean Girls

Patti Murin     Frozen

 

OUTSTANDING FEATURED ACTOR IN A PLAY

Anthony Boyle     Harry Potter and the Cursed Child

Johnny Flynn     Hangmen

Nathan Lane     Angels in America

David Morse     The Iceman Cometh

Paul Sparks     At Home at the Zoo

 

OUTSTANDING FEATURED ACTRESS IN A PLAY

Jamie Brewer     Amy and the Orphans

Denise Gough     Angels in America

Harriet Harris     The Low Road

Laurie Metcalf     Three Tall Women

Mary Testa     The Government Inspector

 

OUTSTANDING FEATURED ACTOR IN A MUSICAL

Norbert Leo Butz     My Fair Lady

Alexander Gemignani     Carousel

Gavin Lee     SpongeBob SquarePants

Nick Wyman     Desperate Measures

Tony Yazbeck     Prince of Broadway

 

OUTSTANDING FEATURED ACTRESS IN A MUSICAL

Kerry Butler    Mean Girls

Lindsay Mendez     Carousel

Lauren Molina     Desperate Measures

Ashley Park     Mean Girls  

Emily Skinner     Prince of Broadway

 

OUTSTANDING SOLO PERFORMANCE

Billy Crudup     Harry Clarke

Eve Ensler     In the Body of the World

Alison Fraser     Squeamish

John Lithgow     Stories By Heart

Sharon Washington     Feeding the Dragon

 

JOHN GASSNER AWARD

(Presented for an American play, preferably by a new playwright)

Kate Benson     [Porto]

Jocelyn Bioh     School Girls; Or, the African Mean Girls Play

Lindsey Ferrentino     Amy and the Orphans

Meghan Kennedy     Napoli, Brooklyn

Dominique Morisseau     Pipeline


2017-18 Outer Critics Circle Nominating Committee

Simon Saltzman, Stanley L. Cohen, Patrick HoffmanJoseph Cervelli,  Aubrey Reuben, David Gordon & Harry Haun


 

Nominations Talley for 3 or more:

SpongeBob SquarePants – 11; Harry Potter and the Cursed Child – 10; My Fair Lady –9; Mean Girls – 8; Desperate Measures – 7; Angels in America – 6; Carousel – 6; Once On This Island – 6; Three Tall Women – 5; Cost of Living – 4; Frozen – 4; Prince of Broadway – 4; Farinelli and the King- 3; In the Body of the World- 3; Mlima’s Tale – 3; Miss You Like Hell – 3; Travesties – 3.