There are some wild clickbait stories popping up today about the return of “Roseanne.”

One would be to kill off the Roseanne character and have the family continue without her.

The other is to move the whole thing to Fox, like Tim Allen’s show, where racist comments are a given.

The answer on both counts is “NO.” Won’t happen.

First of all, “Roseanne” with a dead Roseanne would face endless Twitter and social media attacks from Barr. She can’t shut up, she won’t go away, she’s crazy as she can be. She’d be hounding the cast and crew and the viewers all day long.

Second, Laurie Metcalf and John Goodman are gone. They haven’t said a word about Barr’s scandal. Metcalf is up for a Tony Award, and it’s hers to lose if she says the wrong thing now. Goodman has a thriving movie career and good will at places like “SNL.” He is not going to jeopardize any of that by continuing with this mess. It’s best for each of them to get away from “Roseanne” fast, clean break, over.

Sara Gilbert must be dashed. The “Roseanne” revival was her idea, and it was great money. Even she knows that the party is over. And she has a day job – “The Talk” on CBS– that could adversely affected.

So “Roseanne” is over. There’s no going back.

As quickly as it came, it’s gone. The “Roseanne” reboot was a terrible experiment.

Maybe that’s because Roseanne Barr had one idea, and everyone else had another.

Where to begin?

The worst moment in the ten weeks was Roseanne making fun of ABC’s black and Asian shows. “Yeah, they’re just like us” is a phrase that will live in infamy. She was referring to the much awarded, highly regarded “Black-ish” and “Fresh off the Boat.”

Then there was Roseanne’s physical abuse of her teenage granddaughter. Roseanne grabbed her by the neck and shoved her head under the kitchen faucet, with running water. It was child abuse, fair and square.

And there was the constant condescending to what class Roseanne thought the Conners belonged to. Roseanne, who lives in mansions, has had many face lifts, was the only character with a designer haircut. Everyone else on the show wore garish clothes– not cheap, but purposely ugly. She wore nice things. Her sister Jackie, with a police pension, looked as though she couldn’t take care of herself.

What’s more, you could feel the tension on their stage. In the old “Roseanne,” there was a camaraderie. There was no ‘point.’ Here, the political tug of war stretched across the screen and threatened to break the whole thing wide open.

Even worse, John Goodman– a movie icon for his character work– looked as though he was asleep. After years of indie films, here was a chance to make money. So he took it– no can fault him — but the price was so high. Dan Conner became a prop, and John Goodman didn’t seem to mind. It was infuriating.

And Laurie Metcalf. Here is she now on Broadway in Edward Albee’s “Three Tall Women.” She’s nominated for a Tony award. Last year she won a Tony for “A Doll’s House, Part 2.” She was nominated for an Oscar in “Lady Bird” and nearly won. All that great work was thrown out the window to play Roseanne’s foil. In ten episodes we learned nothing about Jackie. In the premiere she was anti-Trump. After that, she was just a punchline.

Thank god this thing is over.

Today has been the craziest in a long time.

Disney and ABC have cancelled “Roseanne” swiftly after the star Roseanne Barr Tweeted offensive comments about Obama aide Valerie Jarrett. These Tweets, commbined with other statements Barr has made recently, left the network no choice.

ABC President Channing Dungey: “Roseanne’s Twitter statement is abhorrent, repugnant and inconsistent with our values, and we have decided to cancel her show.”

Just two weeks ago, “Roseanne” was touted by ABC as the centerpiece of their new schedule. They thought they’d tapped into the Trump audience that wanted to “make America great again.”

Ironically it was the hate associated with that phrase– the implicit message that America was only great when white people, straight, and from some Norman Rockwell envisioned painting ruled the country– that did Roseanne in.

How terrible for the young people on that show who were probably enjoying a taste of success. But for the others, all I can say is the incredible cynicism of being part of something you didn’t agree with only for the money– they deserve what they got. That goes for all the other adult members of the cast who voiced no opposition to Roseanne’s return as Archie Bunker gone wild.

And now Barr is finished– FINISHED — in Hollywood. She was already finished. ABC had previously passed on a pilot with her and Goodman as other characters. “Roseanne” only returned because Sara Gilbert, successful on CBS’s “The Talk,” pitched the idea. John Goodman and Laurie Metcalf were very successful on other arenas. Only Roseanne couldn’t get work. And now she never will again.

Hallelujah!