Michael Moore’s “Fahrenheit 11-9” is enlightening, elucidating, and enlivening.

But the much anticipated documentary is a dud at the box office. Without a smoking gun, a big reveal, or a scoop, “11-9” has scored less than $6 million in 17 days of release.

The film is now eyeing a theatrical finish around $6 million when it winds down next Friday.

It’s a disappointment for the audience, for Moore, and for the new Briarcliff distribution company. The only good news is that “11-9” finishes $2 million higher than Moore’s last release, “Where to Invade Next.”

But of course the numbers are way off from the original film, “Fahrenheit 9-11,” which soared to the amazing heights of $177 million.

The problem is that Donald Trump is involved in ten scandals a day, all of them provable. But he exhausts the public. And his base of nitwits don’t seem to care if he’s broken 10 laws, offended 10 countries, or tried to undermine the basic values of the United States. There’s no ‘a hah’ moment when the whole day is BREAKING NEWS.

Melissa McCarthy is mostly known for comedy. Her breakthrough film was “Bridesmaids” and she starred for six seasons in CBS’s “Mike and Molly.”

But McCarthy’s turn in “St. Vincent” with Bill Murray showed that she had the drama chops,too.

Now she throws her hat in the ring for Best Actress in the dramedy “Can You Ever Forgive Me?” She plays Lee Israel, a real life New York writer who couldn’t make ends meet after one best seller. So she forged letters from famous writers like Dorothy Parker and Noel Coward, and sold them to Manhattan dealers for hundreds and thousands of dollars.

For a while in 1991 Israel pulled off the scam, and involved a pal named Jack Hawk, who helped her pull off the deception. Richard E. Grant plays Hawk and is just sensational.

Marielle Heller directed from a screenplay by the great Nicole Hofcener with playwright Jeff Whitty. Among the executive producers is actor Bob Balaban and producer Anne Carey (“20th Century Women”).

“Can You Ever Forgive Me?” premiered Sunday night at the Hamptons Film Festival, which has been a marathon of viewing potential Oscar movies and performances. McCarthy should be a slam dunk in Best Actress, joining Lady Gaga, Glenn Close, maybe Emma Stone (“The Favourite”), and some names yet to be viewed in their films including Saoirse Ronan, Margot Robbie and so on.

Grant is a no brainer in the best supporting actor category.

McCarthy is full of surprises in “Can You Ever Forgive Me.” She abandons all her comedy tics (which are hilarious– see her Emmy for playing Sean Spicer on “SNL”). She’s the real thing as Lee Israel, an engaging but difficult woman (she died in 2014) who was an repentant alcoholic and iconoclast. McCarthy’ performance is a tour de force, and not to be missed.

PS McCarthy might ask US if we can forgive her for “Happytime Murders.” After seeing this new movie, the answer is yes. All is forgiven. Please don’t do that again.

Robert Pattinson stars as an astronaut who swears to celibacy in acclaimed French director Claire Denis’ perverse and wacky sci-fi saga, “High Life,” which had its U.S. premiere Tuesday evening at the New York Film Festival.

On a spaceship that looks like a cross between a cargo box and a hospital, a bunch of exceptionally good-looking young death row convicts are on a black-hole journey to hell, forever. At the same time they’re participating — some reluctantly — in a reproduction experiment orchestrated by a sex obsessed doctor, played by Juliette Binoche.

This Nurse Ratched-like doctor (she murdered her family), wears an exotic black braid down to her waist, and is obsessed with collecting sperm samples to impregnate the women. She tricks Monte (Pattinson) into some weird, half asleep sex play so he releases semen and ends up becoming a father. (Binoche herself has a sex scene you have to see to believe, where she writhes around naked on a large steel dildo in a space called a “fuckbox.”)

Earlier in the day at the film’s press conference, when asked about how Pattinson became attached to the film, the actor said he caught Denis’ 2009 film “White Material,” on TV by chance and tried to set up a meeting.

Meanwhile Denis did not have Pattinson on her radar for “High Life.” She envisioned Monte as an “older man, tired of his life, at the end wishing nothing but to die.” Denis said, “Robert brought something unexpected to the part. I was a little bit afraid, to be honest. I’m wasn’t afraid, not of his youth, I was afraid maybe he was too good-looking or too precious… I thought, ‘Oh, my God, I have to be aware of that and not be afraid of that, you know, not to be afraid by his charisma.”

“Don’t be afraid,” whispered Pattinson.

The actor was asked at the press conference about his choice of eclectic roles, including “The Lost City of Z,” “Cosmopolis,” “Damsel” and now High Life.”

“In general it’s pretty simple. I’ll see a director’s work (I admire) and “basically I approach people whose work I really love.”

Of Denis he said, “It seems like all of her actors have total un-self consciousness and they really seem to inhabit their physicality. As a person who doesn’t totally inhabit my body,” he said, “I hoped if it happened to other people maybe it will happen to me.”

On the red carpet that evening at Alice Tully Hall, Pattinson inhabited his body in a dark close-fitting jacket and wide-legged shorts that would seem impossible for anyone else to pull off without looking silly.

I asked Denis on the red carpet how she dreamed up such a kinky script. “I don’t know. I am like that. I am kinky maybe,” she said. “I thought it was the way to do it, that was my plan.”

I asked her what she meant earlier in the day about her reservations Pattinson might be too charismatic to play Monte. That’s not what she meant she told me. “I said there was at the moment I was shy, I didn’t say he was too charismatic. I said, I was afraid that I was not going to understand how charismatic he was in a film you know? No, I was not afraid by that, it’s only that I was shy, that’s all. And he is mysterious and shy too you know?”

In “High Life,” Pattinson plays a role he’s never done: space dad. There are wonderful scenes in the beginning of the film with him and a baby and they have a terrific rapport.

At the public Q&A Tuesday evening, Pattinson was asked what it was like working with the baby and where did they find her?

“She came in for an audition,” cracked the actor.

Denis interjected, “Robert knew the baby,” she said. “This dear friend of his from school had the baby.” The first round of babies did not pan out. “We were not so happy with the baby caster,” Denis said. “This baby was terrific to work with, so cute, so open to people, so interested in sharing.”

“From the first day she was like that,” said Pattinson. “She’s my best friend’s kid. She also took her first steps on set and called me ‘dada dada.’”

The director was then asked why she decided to make “High Life” in English?

“In space people speak only English or Russian,” said Denis.

The final question was to the 72 year-old director about masturbation and “the fuckbox.”

Said Denis, “The fuckbox is more than (a place to) masturbate. They do masturbate alone in their box” but “this box is a way to be alone and it was important that there was such a place.”

Pattinson, who had changed from his red carpet shorts suit to jeans and a baseball hat turned backward, nodded along “yes.”

Pattinson sings over the closing credits of the movie to a ballad called “Willow” by Stuart A Staples of English alternative Rock band Tindersticks.

A24 purchased “High Life” with no release date yet set.

photo c 2018 Showbiz411 by Paula Schwartz

The irony of Clint Eastwood’s “The Mule” is that it co-star Bradley Cooper, who will also be up for acting, directing, and writing nominations with “A Star is Born.” But Clint, who is 88, looks like he’s going to get two of those nods and maybe win by the looks of the trailer for his new movie, “The Mule.” (Nick Schenk wrote “The Mule,” and it looks like it has the feel of his other Eastwood classic, “Gran Torino.”) He plays a drug courier, unwitting at first then forced into it.

This will present Warner Bros. with some serious issues– promote their elder statesman or their new young hot shot? The studio will say Everyone should have these problems. But just Fox Searchlight after last year when “Three Billboards” was up against “The Shape of Water.” Someone is going to be unhappy.