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Michael Jackson Sold Out by His “Friend” Shmuley

Roger Friedman
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It’s sort of amazing watching Shmuley Boteach, a rabbi with no congregation other than an unwitting public, selling out Michael Jackson. He’s just published a book of interviews he taped with Michael back in 2000-2001. All the money goes to Boteach. There’s no charity involved. (Ironically, Boteach also recently published a book called “The Blessing of Enough: Rejecting Material Greed, Embracing Spiritual Hunger.”)

That wasn’t the case in 2000 when I met both Michael and Boteach together one November night. It was at the home of PR guru Howard Rubenstein. Boteach had convinced Michael to start a new charity with him called Time for Kids. They were going to teach parents to spend time with their children.

There were about 3o people in the Rubensteins’ Fifth Avenue living room. Boteach gave a long speech about Michael being the “most misunderstood” celebrity in the world, said he loved children so much he had mannequins of them in his Neverland bedroom. That revelation went over like a lead balloon.

On February 14, 2001, Time for Kids had its first and only get together, People bought tickets to see Michael, Boteach and assorted celebrities like Johnnie Cochran, Mother Love, Judith Regan, Chuck Woolery and Dr. Drew Pinsky talk about spending more time with children. The event was called “Love, Work, and Parenting: Can You Be a Success in the Bedroom, the Boardroom, and the Family Room?” It was only 70% full. The tickets were $40, $30, and $20.

Michael told the crowd, when he finally spoke: “I’m having trouble finding a date for myself even though Rabbi Shmuley tells me he’s going to find me the perfect woman. And I tell him, as long as it’s not a journalist!” Here’s a transcript of Michael’s speech.

When the accounting for the event finally came in on a Form 990, it showed (I reported then) a total of $203,185 collected from direct public support. At the same time, the charity’s expenses totaled $259,432. All but $20,000 of that was spent on staff salaries and office expenses. No money went to children of any kind.

Listed on the IRS filing were an organization president, secretary and treasurer. The latter two, this reporter discovered after making some calls, were Boteach’s sister and mother. The sister, Ateret Diveroli, repeated exactly what the mother had: “I’m not part of that anymore.”

Mrs. Diveroli insisted to me that her brother was “very honest” and had stopped working with Michael Jackson “because nothing was happening. He wasn’t doing anything.”

That was pretty much it for Michael and Shmuley’s friendship. There was a trip to Oxford a couple of months later, but by June 2001 Jackson’s “Invincible” album came out. In September he performed his 30th anniversary shows. Shmuley was gone. From the time Jackson was arrested in 2003 until his death, Boteach was out of his life. Jackson surely had no memory of making tapes with Boteach, and no desire to have them published.

And yet, Shmuley is back. He will flog his short, unheralded relationship to Michael Jackson for as long as the public — or TV bookers– can bear it. The real kicker: that his publicist sent out press releases yesterday, on Yom Kippur, offering copies of the book and excerpts. While every other rabbi in the world was praying, Shmuley Boteach was busy marketing Michael Jackson for profit. Buyer beware.

Billy Joel’s $3 Mil Book Deal

Roger Friedman
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76818 Joel billy concert 278x150 Billy Joels $3 Mil Book Deal Billy Joel’s had an up and down year, for sure: a hit concert tour with Elton John, but a much publicized divorce from his wife of four years, Katie Lee.

But now Billy’s ready to tell all, or at least some of it. He’s got a $3 million deal for an autobiography with HarperCollins. Veteran film and music writer Fred Schruers is working on it with him.

Billy has a great story to tell if he can put it all on paper. First, there’s all that colorful character stuff about growing up on Long Island and becoming a “piano man.”

But then: The marriage to first wife Elizabeth, for whom he wrote “Just the Way You Are.” Her brother, Frank, ripped Billy off for millions. Then Billy also went after famed music attorney Allen Grubman.

Following that episode, there’s the marriage to Christie Brinkley, their daughter, Alexa, and that part of his life. Following his divorce, Billy also has some colorful recollections about driving around the Hamptons.

But more importantly, and past the gossip: just hearing Billy Joel talk about his music, other people’s songs and music in general should be fascinating. He’s great at giving master classes, and those who heard him explain Jimmy Webb’s ” Wichita Lineman” at a Songwriters Hall of Fame dinner a few years ago know how good he is at that stuff.

The big question is: Will he call the book “Piano Man”? The heavy betting is on that title. I’d go for “Just the Way I Am.”

Streisand Admits to A List Audience At Historic Village Vanguard Show: “Singing ‘People’ Is Boring”

Roger Friedman
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Streisand Admits to A List Audience At Historic Village Vanguard Show: “Singing ‘People’ Is Boring”

Barbra Streisand, perhaps the greatest performer of her generation, made history last night for her fans as she returned to her Greenwich Village roots after almost 50 years.

As a promotional effort for her latest album, “Love is the Answer,” the eternally youthful looking Streisand brought a four-piece jazz band into the Village Vanguard, a downstairs club in the West Village where she got her start almost five decades ago. Among the guests were fans who’d won a lottery for the available 78 seats.

But the other fans were also pretty remarkable: former president Bill Clinton and Secretary of State Hillary Clinton with daughter Chelsea and her fiancee, actor James Brolin (Streisand’s husband), Sarah Jessica Parker, Nicole Kidman, Donna Karan, famed theater actress Phyllis Newman who is also the widow of Adolph Green, lyricists Alan and Marilyn Bergman, mogul Barry Diller (solo — wife Diane von Furstenberg was away, he told me), the New York Times’s Frank Rich and Alex Witchel, Deborah Lee Furness aka Mrs. Hugh Jackman, Columbia Records chief Rob Stringer, and longtime Hollywood manager Sandy Gallin.

The brilliant record producer Tommy LiPuma, who made “Love is the Answer” with Streisand and Diana Krall, was also there.

Of course, not everyone could fit into the Village Vanguard, so Sony Music, the parent of Columbia Records, arranged for a closed-circuit feed to the Louis XVI suite at the Waldorf Astoria. That’s where yours truly watched the show on large TV screens, along with about 50 more of Streisand’s friends and family including Joy Behar of “The View,” another longtime Streisand associate and music exec Charles Koppelman (now CEO of Martha Stewart’s company), and even the rabbi who’s head of the Conservative Jewish movement in Israel!

Streisand started the hour-long show, which can be seen on AOL Broadband this evening, introduced by her devoted manager of 48 years, Marty Ehrlichman. She also introduced Jimmy Cobb, the legendary (now 80 year old) jazz drummer who played her early albums (and was Miles Davis’s drummer), as well as the waiter who gave her career tips all those years ago.

From our vantage point in the Waldorf, Streisand looked like “buttah” in the most intimate setting she’s performed in for years. Maybe because of that, she was a little too relaxed. Speaking off the cuff, Streisand introduced over a dozen songs with many reminiscences. Some of them were telling: “When I sing songs like ‘People’ over and over, I get a little bored,” she admitted. So “People,” one of her signature numbers, was not in the show.

Instead she sang “My Funny Valentine” at the suggestion of a friend, after not singing it for years. She included Jacques Brel’s “If You Go Away” including the anecdote of how and she and her husband (Elliot Gould, presumably) and another couple flew to Marseilles years ago to see Brel, only to have him not sing it himself. She performed her own hit, “Evergreen,” because she said it was President Clinton’s favorite. “I feel Virginia’s here, too,” she said, referring to the president’s late mother. “She was one of my surrogate mothers.”

Some of the other numbers included one by the Bergmans (”I’ve recorded 52 of their songs”), “Bewitched Bothered, and Bewildered,” “My Heart Belongs to Me,” “Wee Small Hours of the Morning,” “Gentle Rain,” “Spring Can Really Hang You Up,” “Make Someone Happy,” “Where Do You Start?” and then threw the room a big bone, as it were: the Bergmans’ (with Marvin Hamlisch), “The Way We Were.” On the screen, you could see Sarah Jessica Parker tear up, like half the room.

It was a night bathed in nostalgia, but it wasn’t always perfect. The first thing Streisand asked yours truly (of all things) after she and most of the guests transferred up to the Waldorf was: “Was I okay? Did my voice sound alright?” Yes, for real, she was verklempt. We told her she said, “People” was boring. “I did?” she exclaimed, “Oh my god!”

The answer is: she told the audience, “I haven’t sung since January.” She and the band only rehearsed for this gig for two days. If she were anyone else, Streisand would get an A plus. But with that little preparation, maybe we’ll say A minus. She missed some high notes. Sometimes, toward the end, you could a little hoarseness. She was not the usual Streisand the perfectionist. It’s incredibly ingratiating to find out she’s human, taking chances, and real. It didn’t quite bring her down to a mortal level, but made her accessible in a new way.

Now, if she “practices, practices, practices,” she knows what her next stop will be. “What about Carnegie Hall?” she asked us, in all seriousness.

She should try it!

Bono Channels Michael Jackson in U2 Extravaganza Show

Roger Friedman
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A pop star fishes a 12-year-old boy out of the audience during his concert, runs around the stage with him, holds his hand, before returning him to his parents. Later, a group of volunteers holding candles fan out along the ramp encircling the stage.

Is it Michael Jackson? Sure sounds like it. No, it’s Bono. And the show was last night at Giants Stadium, where U2 put on an extravaganza that only Jackson and Liberace could have imagined.

This is U2’s 360 tour, the follow-up to last spring’s album release, “No Line on the Horizon.” Here’s the problem, which was unforeseen: “No Line” was not a hit, and yielded no singles except for the grating “Get on Your Boots.”’ It was the first-ever mistake in the U2 catalog, and should have been rethought. Instead, “No Line” and its turgid, mostly tuneless songs was foisted on the public. Months later, they are still unsingable and unmemorable.

So Bono, the Edge, Adam Clayton, and Larry Mullins, Jr. have to take the bulk of their catalog and reimagine it onstage without benefit, really, of new material anyone wants to hear. Thursday night’s show ran the gamut from enervating to joyous, with lots of potholes in between. The highlights of the show were standbys such as “Sunday Bloody Sunday,” “One” and “With Or Without You.”

But missing from the lineup were “New Years Day,” “In the Name of Love,” “Original of the Species” and a few others that could have energized the proceedings. “Vertigo” was refreshing and really rocked. “Stay” would have been extraordinary except that Bono “went up” and forgot the words a quarter of the way in. He looked rattled and never regained his composure during the song. Too bad — it’s so good, and Bono and the Edge played it just as they did at Elvis Costello’s taping last week in Toronto.

I’ve seen U2 at Giants Stadium before, when it was just them and their songs. But last night’s show was about more, more, more. The stage is round, juts out into the middle of the field, encircled by a ramp. There are two massive, moving bridges. The whole has a kind of gigantic round space ship-like structure that is really a massive video screen. It’s suspended by a spiderlike cover, maybe meant to be used later in the “Spider-Man” musical, for which U2 has written the music.

The whole of the concept isn’t bad, but it’s undermined by a neon steering wheel that’s also suspended from the top, and fitted with a microphone. This is a mistake. Bono, dressed in a suit jacket that’s lit up along the seams, sings two great songs into the steering wheel and then swings along on it. This should be stopped at once. All the intimacy of the show is jettisoned.

U2 has also been a band of bombast, that was their appeal. Presenting them in stripped-down settings made the band very accessible, and showcased the finer aspects of their songwriting. (The newer album is just a misstep. They’ll be back.) But this new show is all about more, bigger, and unnecessary stuff. All the tamps and bridges — Mick Jagger, Tina Turner, and Bruce Springsteen know how to use them. Bono and Edge seemed indifferent to them. Either use them or lose them. Right now, they are bridges to nowhere.

But don’t think U2 isn’t full of pleasures. The band remains a hot engine, with Edge driving it full force. I liked the inclusion of bits and pieces of other people’s songs — the Rolling Stones, Ben E. King, etc. — sort of tying U2’s music to rock history. It was a bold move, and it worked.

And Bono is still Bono. There’s a video speech from Bishop Desmond Tutu. The candle ceremony is for Daw Aung San Suu Kyi, the jailed female leader of Burma’s (Myanmar) opposition political party. It’s a great thought, and as usual Bono’s heart is in the right place. But I doubt many of the 81,000 U2 fans had any idea what was going on. If you did word associations with 99% of Americans, they’d answer “shave” after the word “Burma.”

But U2 rocks on, and Live Nation has a hit in a mostly sold out to the rafters tour. For every bit of nit picking, there’s still the wonders of “Mysterious Ways” and “I Still Don’t Know What I’m Looking For” and “Beautiful Day.” And that still puts them way out ahead of just about everyone else. But really, leave the kids in the audience. It’s just too weird.

James Bond, Wolverine: Daniel Craig, Hugh Jackman Hit Broadway

Roger Friedman
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Movie stars come and go on Broadway, most trying to revive careers or make a point. Some succeed (Jane Fonda), some don’t (Julia Roberts).

On Tuesday, Daniel Craig, best known for playing James Bond, and Hugh Jackman, aka Wolverine, make their official premiere in Keith Huff’s 90-minute two-hander called “A Steady Rain.” They are each at the height of their career, and need to prove nothing to no one. So you wonder, what is going on here?

On Friday night, the press got its first look at these two dipped-in-gold movie stars on stage. The Gerald Schoenfeld Theater was packed with media, as well as film director Joel Schumacher. The New York Times’s Ben Brantley was tenth row on the aisle. Outside on West 45th St., fans and autograph hounds were four deep against metal barriers. It doesn’t help that right next door, “God’s Carnage” has resumed performances with Marcia Gay Harden, Jeff Daniels, Hope Davis, and James Gandolfini.

Jackman, of course, has plenty of stage experience, mostly with musicals. He starred in “The Boy from Oz.” He commanded the Oscars this past year. Craig is more of an unknown quantity. We know him mostly from action films, although he did play poet Ted Hughes in “Sylvia,” and the lead in “Enduring Love.” Both guys are known for stripping off their shirts, not down to emotions.

So I have good news for all involved: Craig and Jackman are just terrific as two Chicago cops recounting their lifelong friendship, partnership, and their tragic undoing. Craig, in particular, is a revelation as Joey, the bachelor who has pined for his friend’s wife and life all these years. A heavy mustache seems to pull Craig’s face down, releasing a look of sorrow and guilt that seems to radiate into his hunched shoulders and through his suit.

Jackman is family man Denny, whose secret life is peeled back like layers of onion skin. Jackman is just as riveting, starting Denny out as a solid, good-time guy and steering him into dangerous territory.

Much more about the specifics of “A Steady Rain” I don’t want to say because the twists and turns of Huff’s plot are just enough to make the audience gasp more than a a few times. You should know that the actors make all this work sitting on padded metal chairs under individual overhead lights, with little of a set and no props to fall back on. It’s all them, with nowhere to hide.

What’s certain is that “Rain” will become a movie, likely with these two men, expanded to include the many characters described by Denny and Joey during the hour and a half. Sidney Lumet should direct it. In the meantime, how nice to have two movie stars so invested in their roles that you almost forget who they are while the curtain is up and the theater is dark. Almost.

Clive Owen’s Boys Include RZA (but not GZA)

Roger Friedman
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rza 225x500 Clive Owens Boys Include RZA (but not GZA)Clive Owen celebrated the opening of his heart-warming new film for families, called “The Boys are Back” with a good pal last night: RZA (pronounced “Rizza”).

RZA, who’s with the Wu Tang Clan, cut quite an appearance at the “Boys Are Back” dinner at the Bon Appetit Supper Club. He came dressed in head-to-toe camouflage gear. He was the only one. If he was hoping to blend in and really be camouflaged, a suit might have been a better choice. He did not bring GZA (prononced “Gizza”) with him. But he seemed to have a good time.

“He and Clive and I were all in ‘Derailed,’ ” explained beloved New York actor Giancarlo Esposito, who was on his way to Africa to promote his new movie, “Gospel Hill.” Giancarlo is probably best known for his five episodes as a lawyer who battles Sam Waterston on “Law & Order.” But he’s literally like everywhere. He’s just signed to become a regular on “Breaking Bad.” Next year, he’s in the movie “Rabbit Hole,” based on the Broadway play.

Some of the other names at the “Boys are Back” dinner were actor Bob Balaban, who’s getting a cold and carrying Purell to disinfect anyone with whom he shakes hands; directors Robert Benton and Fred Schepisi, and, of course, Scott Hicks, the “Shine” director who made “Boys Are Back” such a treat. As for Clive Owen: put him on the short list for Best Actor considerations. He’s going to be there. And he didn’t have to blow anything up this time!

Mariah Dedicates New Album to Michael Jackson

Roger Friedman
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carey mariah 250x350 Mariah Dedicates New Album to Michael JacksonMariah Carey dedicates her new album, “Memoirs of An Imperfect Angel” to Michael Jackson. The album hits the world on September 29th.

“Angel” is a little different than most releases. This is the first time I can remember a major magazine — Elle, in this case — sponsoring the liner notes. “Angel” comes with a mini magazine tucked into the CD jacket, produced by Elle and featuring ads for Carey’s new fragrance and movie (”Precious”) as well as Mariah’s lists of favorite things and interviews with her and husband Nick Cannon. It’s a first, but what else do you expect from Mariah Carey?

Island Def Jam is not taking any chances with “Angel,” by the way. They’re starting with the release of Mariah covering Foreigner’s “I Want to Know What Love Is,” followed by a slew of potential singles — “Angels Cry,” “Ribbon,” and at least two others. So get ready for a Mariah onslaught — post-the Whitney Houston avalanche. And just before an Alicia Keys tsunami. It’s the autumn of the divas!

"Law & Order: CI" Ditching D’Onofrio, Erbe, Bogosian

Roger Friedman
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d onofrio 250x350 "Law & Order: CI" Ditching DOnofrio, Erbe, Bogosian It’s shake-up time for “Law & Order: Criminal Intent.”

Sources from the “L&O” galaxy say that stars Vincent D’Onofrio, Kathryn Erbe, and Eric Bogosian are all expected to be phased out at various points during the series’ upcoming ninth season. Julianne Nicholson left the show a few months ago. Executive producer Dick Wolf is turning to’Jeff Goldblum, who joined the cast last season, to remain as lead detective in the series along with’Saffron Burrows, who was recently cast to replace Nicholson as Goldblum’s partner.

It’s a big change for a show that has weathered a lot of casting changes since it began in 2001. D’Onofrio and Erbe have been there since the beginning, while Bogosian joined in 2006. Since then, the original pair have had to make room for Nicholson and Chris Noth, who left last year. Goldblum arrived in 2008.

Details about D’Onofrio, Erbe and Bogosian’s exit are still unclear as the actors’ deals are being worked out. The network only recently renewed the Wolf Films/Universal Cable Prods. series for a ninth season, slated to premiere in late spring with a two-parter.

How interesting that Wolf has decided to go this way since D’Onofrio, while erratic, has been very popular. But “L&O:CI” is a USA Network show now after running on sister channel NBC. And USA, insiders point out, likes lighter fare when it comes to its shows. Goldblum is more in the tradition of Tony Shalhoub’s “Monk” than D’Onofrio.

While D’Onofrio is departing as a regular, it is possible for him to reprise his character in guest stints.

“Law & Order” just keeps chugging along in its various guises. The names change but the music remains the same.

Exclusive: Michelle Phillips Says Mackenzie is Lying About Papa John

Roger Friedman
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phillips mackenzie 235x350 201x300 Exclusive: Michelle Phillips Says Mackenzie is Lying About Papa JohnMichelle Phillips, the ex-wife of the late John Phillips, says her stepdaughter Mackenzie Phillips is lying about having an incestuous affair with her father.

I spoke to Michelle this morning by phone; she has not read Mackenzie’s book, published today, called “High on Arrival.” Michelle Phillips says that in 1997, Mackenzie told everyone in their extended family that she and her father, Michelle’s famous former husband, had had a sexual relationship.

“She told me, then she called me back and said, ‘You know I’m joking,’ ” Michelle told me. “I said it wasn’t funny. Mackenzie said, ‘I guess we have different senses of humor.’ ”

Michelle and John Phillips were the foundation of the great ’60s singing group the Mamas and the Papas, along with Cass Elliott and Denny Doherty. Their repertoire of sunny hits included “Calfornia Dreamin’,” “Monday Monday,” and “I Saw Her Again Last Night.” Mackenzie and her brother were born before the group formed, and before Michelle and John were married. Their brief marriage ended in 1968, with Michelle — a beauty — going on to several well-publicized romances and a successful acting career. John’s career, however, had no traction after the Mamas and the Papas, and his life devolved into a drug-fueled catastrophe.

Mackenzie alleges in her book that she and John had sex for the first time when she was 19, on the eve of her own first marriage. Four years later, she writes, they had a full-blown affair.

Mackenzie writes: “My father abused me but he wasn’t a monster. He was a tortured man who led a tortured existence.” She adds that she waited until now to admit this because she didn’t want to wreck his legacy.

Michelle Phillips responded, when I read her that: “She’s really protecting his legacy now, isn’t she?”

It’s not like Michelle Phillips hasn’t been critical of John in the past. She told me: “John was a bad parent, and a drug addict. But [expletive deleted] his daughter? If she thinks it’s true, why isn’t she with a good psychiatrist on a couch? I think it’s unconscionable that Oprah would let her do her show. I have every reason to believe it’s untrue. Oprah should be more judicious about who she has on her show.”

Michelle added: “Mackenzie has a lot of mental illness. She’s had a needle stuck up her arm for 35 years. She was arrested for heroin and coke just recently. She did ‘Celebrity Rehab’ and now she writes a book. The whole thing is timed.” Michelle said it’s particularly ironic since her own daughter, Chynna, of Wilson Phillips fame, Mackenzie’s half sister, is releasing a new album this week.

“Mackenzie is jealous of her siblings, who have accomplished a lot and did not become drug addicts.”

“Tosca” Opens Metropolitan Opera Season, Gets Booed

Roger Friedman
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Didn’t you think opera fans were all polite and nice in their tuxedos and gowns? Hey, they booed last night at the end of Luc Bondy’s premiere production of Puccini’s “Tosca.” The stuffed shirts didn’t boo the actors, but the production team — Bondy, et al. So rude!

The old guard opera types didn’t like the new, modern production ordered by Met chief Peter Gelb. They wanted their old Franco Zefferelli sets. Instead, they got a second act that looked like it was staged in the waiting area of a modern art museum. But they still got Puccini, and James Levine and the Metropolitan Opera orchestra, and sublime performances from Karita Mattila, Marcelo Alvarez, and George Gagnidze.

This was not the night to show off bad behavior to guests in the house — namely a raft of stars and boldfaced names who came to celebrate the opening of the opera season. This group ranged from Christine Baranski, Harvey Fierstein, Patricia Clarkson (Oscar buzzed for Woody Allen’s “Whatever Works”) and Edward Norton to Mischa Barton, Zac Posen, Joy Bryant, Kate Mulgrew, a very pregnant Karolina Kurkova, a somewhat pregnant Leelee Sobieski, Sam Waterston, Billy Joel (with a new date), Ben Foster and Zoe Kravitz, to Tom Brokaw, Martha Stewart, Sir Howard Stringer, Sony Pictures Classics’ Michael Barker, Henry and Nancy Kissinger, Renee Fleming, Howard Rubenstein, Diane von Furstenberg and Barry Diller, Julie Taymor and Elliot Goldenthal.

The big disappointments: at the last minute both Aretha Franklin and Meryl Streep canceled. Maybe they went to dinner together.

Everyone wanted to know about the booing. “The people next to us were really going at it, too,” observed a wide-eyed Joy Bryant. This hot young actress has just signed to join the TV version of “Parenthood.”

Gelb smartly addressed the issue head-on when he made remarks at the dinner party held later under a tent in Damrosch Park. Basically, old opera lovers don’t like change. I say, get over it, people. The production was excellent.

Meantime, Peggy Siegal planted all these celebs along a long table in the center of the dining room, creating quite the operatic buzz. There was a lot of chit chat all night. Mischa Barton, who seemed lovely and normal, said she loved “Tosca” but was a little tired. “We’re shooting all this week,” said Barton of her new TV series, “The Beautiful Life.”

Edward Norton told me he hadn’t been to the opera in about 25 years. Patty Clarkson brought two pals, a female lawyer and the wife of the conductor of the New Orleans Symphony. They had a ball. Clarkson also told me that Oscar nominee Amy Ryan (”Gone Baby Gone”) who was screwed out of an Emmy nomination for “The Office,” is also about to give birth. Kate Mulgrew reminisced about her breakthrough role on “Ryan’s Hope” and told me about her new series, “Mercy.” Let’s hope her character is on a lot.

I wish I could say the evening wasn’t over until the fat lady sang — but this was New York society, kids. There were no fat ladies. There were quite a few $50,000 dresses, a variety of face lifts, and plenty of good jewelry. But everyone was thin, and hardly anyone had the pasta shells main course. This gang isn’t stupid. The fall season has begun! It’s a sprint to Thanksgiving from here, gotta stay in shape!

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