Thursday, September 19, 2024
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Basterd-ization of Hollywood: A $38 Million Weekend

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The big box-office news is that Quentin Tarantino’s “Inglourious Bastards” grossed $38 million domestically over its first weekend.

The predictions had been for $30 million, and those were hopeful.

Over at another industry website, the writer jumped the gun Friday night, put in low numbers, then had to keep correcting herself.

But the movie did very, very well; $14.35 million on Friday night, $12.9 million last night, and an expected $10.3 million today. The result is $37.6 million and change. Rounded up after all the counting, it will come to $38 mil.

Why is it an exceptional story? Because the New York Times last week tried to make “Basterds” a bellwether for the end of the Weinstein Company. “Clerks” director Kevin Smith, who owes his career to Harvey Weinstein, made some unfortunate comments. A pile-on was starting to happen.

But the Weinsteins have been in business for 30 years. They’ve had five tough years recently. That’s all changing now. After “Basterds” comes “Halloween II,’ which should do well. The big fish for the fall is Rob Marshall’s “Nine.” It’s a certain Oscar nominee. And from the looks of advance footage, “Nine” is going to be spectacular.The all-star cast of Daniel Day-Lewis, Nicole Kidman, Penelope Cruz and Sophia Loren should put it right over the top.

Big Hollywood, aka the studios, don’t like the New York film business. They don’t like indies, and they’re crossing their collective fingers for failure reports. It’s not going to happen. TWC lives to see another day. And as they say these days, it’s all good.

Brad Pitt, Heidi Klum Boost Weinstein Co.

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It’s good news for those “Inglourious Basterds.” Quentin Tarantino’s World War II romp, starring Brad Pitt, took in an estimated $14.3 million last night.

That means that The Weinstein Co. can expect a stunning first weekend take of $35-$38 million depending on how the film does tonight (Saturday). If word of mouth is good this morning, then hold on. Quentin Tarantino hasn’t had such a good opening since “Kill Bill, Part 2.” That was five and a half years ago. It’s also tbe best Friday night for TWC since “Scary Movie 4″ in 2006.

“Basterds” is only part of the TWC’s comeback weekend. Their “Project Runway” on Lifetime scored 45% higher ratings in its debut than its best numbers on Bravo. Maybe leaving Bravo and starting a legal war was worth it after all! Heidi Klum’s little fashion show looks like it’s going to have its peak season, with more rending of fabrics, gnashing of capped teeth and knifing in the back than ever.

Jackson Movie Will Play in Theaters Just 2 Weeks

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Sony’announced yesterday that “This is It,” the Michael Jackson movie of his rehearsals up until the day he died, will get a limited release.

The film’for which Sony paid $60 million’will play in theaters for just two weeks. That’s it, two weeks. Maybe three if it’s really popular. But this way, everyone involved is hopeful of sold-out shows day and night.

And then? A super DVD package for Christmas. That shouldn’t be too difficult. “This is It” will open on Wednesday, Oct. 28, and end its run on Nov. 13. DVDs could easily be ready to ship to stores right after Thanksgiving. The package would be No. 1 overnight.

This is another of the very good moves by Jackson’s estate, led by executors John Branca and John McClain. If only Katherine Jackson’s legal team would step out of the way and let them do their jobs.

Today, Mrs. Jackson’s lawyers are sending everyone back into court to fight yet again over the estate’s agreement with AEG Live over touring a show of Michael’s memorabilia. This is the same show that Julien’s Auctions put on last April at the Robinsons-May store in Beverly Hills.

Hello? In the two months since Michael died, the estate has brought in $100 million or more, including $5.5 million they got back from Tohme Tohme, Michael’s former manager. Mrs. Jackson’s lawyers don’t seem to like this because they’re not in on it. Mrs. Jackson says she wants to go over these decisions with her financial advisers. That’s a team consisting of her son, Randy, daughter La Toya, and Leonard Rowe, the twice-incarcerated concert promoter who was successfully sued by R. Kelly. She might be better off asking strangers!

Shortage of Best Actresses in the Coming Oscar Season

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Carey Mulligan (Getty photo)

Carey Mulligan (Getty photo)

We may be in trouble, folks. Even though the Academy has opened up Best Picture to 10 nominees, there seems to be a shortage of choices in another category.

There’s an alarming scarcity in the Best Actress division. Not only has this been a pretty terrible year for movies in general, it’s been worse for women. For some reason, no one’s written them any good leading roles. There are plenty in the Supporting Actress category, but very few and far between in lead.

Here’s what we’ve got to pull from: Meryl Streep in either “It’s Complicated” or “Julie & Julia“; Renee Zellweger in “My One and Only“; newcomer Carey Mulligan in “An Education“; two-time Oscar winner Hilary Swank in “Amelia“; Emily Blunt in “The Young Victoria“; Mimi Kennedy in “In The Loop“; Evan Rachel Wood in “Whatever Works”; Penelope Cruz in “Broken Embraces“; Rachel Weisz in “The Lovely Bones“; Natalie Portman in “Brothers“; Ellen Page in “Whip It” and perhaps one of the many actresses from “Nine,” although they seem to be supporting parts.

Of course, if HBO had released “Grey Gardens” to theatres, Drew Barrymore and Jessica Lange would be in the race. Alas, they’ve gone on to get all the television awards.

Otherwise, it’s slim pickings this year. If someone out there knows of any other candidates, send them in ASAP. And P.S., who’s the breakout star in that group of names above? Carey Mulligan. Remember, you heard it here first.

Who’s Going to Pay for this Jacko Funeral?

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Michael Jackson, still not buried properly, faces yet another burial postponement.

The most recent announcement was that Michael would be buried on August 29th, his birthday. This seemed odd to this column since Jehovah’s Witnesses don’t celebrate birthdays.

But now the date is postponed to September 3rd because the Jacksons say they aren’t ready. Michael is ready, trust me. But the city of Glendale says they’re charging the Jacksons $50,000 for police protection. The question is, who will pay this bill?

It turns out that the big Staples Center memorial and the mishegos that preceded it at Forest Lawn–limos, etc–cost AEG Live $600,000. The Jacksons did not pay for it. In fact, in court today sources say AEG may try and get the money back from the Jackson estate.

The main problem with all this parading around–funerals, services, etc– is that the Jacksons do not have any money. Other than what they’ve managed to exploit from Michael’s death, they have no actual income. For years, the family lived on Michael’s handouts. But now that he’s gone, there’s a crisis, insiders say.

But here’s a solution: why not just have a simple internment at Forest Lawn, unannounced and without any fanfare? That would cost a lot less than $50 Gs.

Penelope Cruz NOT Pregnant, Muchas Gracias

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penelope cruz 2 Penelope Cruz NOT Pregnant, Muchas GraciasWe can all put away our baby gifts. Penelope Cruz is not pregnant.

Despite reports all over the Internet that culminated in a local tabloid’s speculation, Cruz is not expecting a child. I got the info from one of her close buddies (for real).

In fact, Penelope appeared in London and Berlin less than a month ago to promote her new movie, Pedro Almodovar’s “Broken Embraces.” She was very clearly not pregnant and not attempting to hide any “baby bump.”

If Penelope’s off the circuit for a couple of weeks, maybe she’s taking a vacation! She should. In a couple of weeks, the “Broken Embraces” publicity will kick into high gear as the movie is shown at several film festivals before its September opening. And then, of course, there will be an Oscar campaign. Not a good time for morning sickness.

Maybe this rumor got started because at the Cannes Film Festival in late May, Penelope got a stomach flu. She was pretty green around the gills. But if she’d been a month pregnant at the end of May. she’d be showing by now. And by the looks of her recent pictures, it ain’t so. We’ll have to defer to her friend, and put away the rocking chairs for the time being.

Jackson Estate Wins Crucial Victory Over Family’s Objections

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The executors for Michael Jackson’s estate won a crucial victory today in Los Angeles Probate Court. Judge Mitchell Beckloff has approved a deal with AEG Live to send Michael’s memorabilia on a tour to New York, London, and Tokyo. The exhibition should add $6 million to the estate’s coffers.

The day was a victory for Michael’s estate and yet another failure added to Katherine Jackson’s legal wranglings. But it’s not Katherine herself who’s incurred these losses, but the lawyers representing the Jackson family. They’ve been spurred on by Joseph Jackson, who’s tried to stop the estate at every turn from moving forward.

Interestingly, the judge refused to let Michael’s brother, Randy, testify. The family’s lawyers argued that Randy was an expert. The judge was incredulous, and said no. If Randy had taken the stand, it would have been a disaster. His short run as Michael’s manager produced nothing but lawsuits and anger. He was eventually fired.

Also not testifying today was Leonard Rowe, the ex-con shady concert promoter who was touted by the Jacksons as their financial adviser.

Even the attorney guardian for Michael’s children approved the AEG deal.

John Branca, executor for Michael and his long time attorney, testified in closed court over the phone from a family vacation. His testimony was said to be most persuasive.

That leaves little more room for Katherine Jackson’s side to keep objecting to the estate’s deals. Sources at the Hayvenhurst house say Mrs. Jackson is barely aware of all this, and that she is still grieving for her son. But someone had better tell her that legal bills are now running into the millions, and that she hasn’t had one victory in court yet. And in the end, despite the court agitations having been brought by other family members, the bill is going to wind up being paid from Katherine’s inheritance. Ouch!

CNN Demoted in NYC by Time Warner

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It was announced a couple of weeks ago, but if you weren’t paying attention, today was a little weird in the NY cable world.

CNN’ has been demoted by Time Warner Cable to Channel 78. It’s been 10 on the “dial” for many, many years. Now it’s been catapulted into the outer space of the cable dial in the country’s most important media market.

In its place, a channel that absolutely no one needs or was missing: FX. They show “Nip/Tuck,” and re-runs of Fox movies and TV shows.

Also demoted was Lifetime, traded with Oprah’s Oxygen Network. So just at the moment that cable’s most popular reality show, “Project Runway,” comes to Lifetime, the channel is sent to Siberia.

But the CNN change is really ridiculous. Everyone knows the lower number channels get the higher traffic. And while CNN has lagged in ratings for a few years, it’s still the number 1 news destination when there’s a crisis. The next time there’s a terrorist bombing a lot of people may be watching “That 70s Show,” wondering if Wolf Blitzer has been replaced by Ashton Kutcher.

Different reports have suggested that channels pay extra to get top billing. Interestingly, both TNT and TBS have retained excellent spots on the Time Warner lineup. They, like CNN, are owned by Time Warner. So this begs the questions: did Time Warner not care what happened to CNN? Did they think TNT and TBS were more important? It sure seems like it.

‘Basterds’ Heroine Makes Beautiful Music With Pop Star

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Knockout blonde French actress Melanie Laurent plays sexy heroine Shoshanna in Quentin Tarantino’s “Inglourious Basterds.” It’s her first movie in English at age 26.

But Laurent has other sides too. She directs films ‘ and even made a short film about porno just before playing Shoshana.

She’s also a singer. For the last year or she’s been collaborating with Irish singer songwriter Damien Rice up in Woodstock, New York. Rice, she says, may do the soundtrack for the French film she’s writing right now.

Ooh la la.

Getty photo

Getty photo

I had lunch with Melanie and co-star Christoph Waltz (pictured here together) yesterday over at the Standard Hotel near the HighLine. No one knows them yet. After “Basterds” opens on Friday, they will be household names and faces. Melanie, as Shoshanna, and Christoph, as Col. Hans Landa, steal the movie from a corps of hard at work actors including the hilarious Brad Pitt.

Since “Basterds” played in Cannes, each of their lives has changed. And it’s interesting since Christoph is exactly twice Melanie’s age (he doesn’t look it). At 53, he’s an overnight sensation.

“I just turned down a big police series in Germany,” Christoph tells me. “They offered me everything. They even announced I’d accepted. But I didn’t. I don’t want to do it.”

This is his chance, now, after a quarter decade, to make it in movies. He’s so good at comedy and drama, he’s already fielding lots of offers. It’s a dream come true.

“It’s unreal,” he says. “I mean, it’s real, because it’s happening. But it’s unreal.”

Don Hewitt Remembered

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“60 Minutes” creator Don Hewitt was a tremendous journalist and a great pal. His death yesterday came as no surprise considering how unwell he appeared at Walter Cronkite’s recent funeral.

But little by little we are whittling down to nothing the great era of television journalism. Don was in the forefront of it. He kept “60 Minutes” above the fray, refusing, for example, to do pieces on O.J. Simpson during his murder scandal unless there was something monumental. “60 Minutes” was so well shaped and executed, also, that Hewitt never allowed “identifiers” ‘ you had to follow the story to know who the people were. The stories were so good you could listen to them on the radio and not miss a thing.

When Ed Bradley did a piece on Michael Jackson in 2003, right after his arrest, CBS was accused of paying $1 million for the rights. Hewitt denied it, and was furious when the New York Times made such a suggestion. I wrote a column about it on Jan. 14, 2004, called “‘60 Minutes’ Producer Hewitt: Times Won’t Print His Letter.”

Here it is, again:

Don Hewitt, the respected executive producer of CBS’ “60 Minutes,” is hopping mad at the New York Times. They won’t print his letter to the editor regarding the Times’ assertion that CBS paid Michael Jackson $1 million for his interview.

I ran into Hewitt and his wife, Times writer Marilyn Berger, at the lavish party TNT threw at the legendary Four Seasons restaurant for their remake of “The Goodbye Girl.” Hewitt told me a letter he sent to Times editor Bill Keller was rejected for publication, despite the Times having run a story by Sharon Waxman claiming that Hewitt’s show participated in checkbook journalism to get an interview with Jackson.

I told you in this column that Waxman was wrong, and CBS has since denied paying Jackson $1 million so he would sit down with Ed Bradley.

Hewitt, of course, is outraged. “I guess they don’t print a letter to the editor if you write it to the editor,” he told me.

In his letter to Keller, Hewitt wrote: “How could a newspaper that prides itself on publishing ‘news that’s fit to print’ allow an anonymous and admittedly disgruntled source with an axe to grind put damaging and utterly false words in the mouth of a journalist as respected as Ed Bradley? Is it not a violation of journalistic ethics to publish an unsubstantiated story about anyone (let alone a fellow journalist of the stature of Ed Bradley) without getting corroboration that he actually said what you quoted him as saying?”

Hewitt asks Keller “to stop insisting that what you published on Dec. 31, 2003 about Ed Bradley and Michael Jackson was fair and balanced ‘ which it most certainly was not.”

Hewitt told me last night that he is still convinced that no payment was made by CBS to Jackson, and that he questioned Les Moonves about it. “Les said no, and I believe him,” Hewitt said.

Catherine Mathis, the Times’ press rep, had no response from Bill Keller.

As for Hewitt, he wants everyone to know that he has “a contract that runs forever” and has no intention of retiring. In fact, he’s moving into what he says is the biggest office in the CBS building, previously occupied by Bryant Gumbel. And this Sunday, to avoid being trampled by football in the ratings (games on Fox, ‘natch), Hewitt will run a spiffed-up rerun of its 35th anniversary show.

“We’re hot right now in the ratings,” he said, “and I don’t want any setbacks. But you can’t win against football.”

Or, evidently, the New York Times.