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From 2009: Tom Hanks, Sally Field, Stars Will Be Boycotted Saturday Night

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Jeffrey Katzenberg’s “The Evening Before” party is getting an organized protest on Saturday night.

Members of SAG and all other Hollywood unions are being called on to picket the party, which raises money for the Motion Picture Fund. They’re calling the protest “Evening Before the Evictions?”

The Fund has announced that it’s closing its long-term care facility at the Motion Picture Home outside Los Angeles by the end of the year. Over 70 residents– who were guaranteed to live out their lives at the hospital–would have to be relocated.

The protest–organized by Saving the Lives of Our Own –is set for 7-10 p.m. on Century Park East in Century City, across from Century Park, where the party will be held. According to a press release, the group will try to explain to guests of the “extravagant” event why they’re upset about the closing and relocation, and ask them why proceeds from the party–and its Oscar sibling, The Night Before–don’t go to saving the nursing home.

Among the co-hosts of the Evening Before are Tom Hanks, Rita Wilson, and Sally Field. People magazine, Sprint, and Target are sponsoring the event, where big stars typically receive huge gift bags, iPods, phones, sneakers, and other loot.

Will Smith Gives $70,000 to Scientology Groups: Exclusive

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Will Smith and his wife,’Jada Pinkett-Smith, donated $70,000 to Scientology groups in 2008, according to a tax filing just obtained by this column.

The “Seven Pounds” actor contributed $60,000 to the World Literacy Crusade and $10,000 to ABLE International via his Will Smith Foundation. Each is a Scientology organization. In the past, he’s denied being a member of the group.

The $70,000 is relatively small amount in relation to a total of $1,275,699 in his total charitable donations for 2008. But it’s significant considering the criticism the Smiths have come under for the private school they’ve started in Calabasas, Calif. The New Village Leadership Academy has come under scrutiny for using Scientology teaching methods.

Over the summer, the Smiths dismissed Jacqueline Olivier, the school’s headmaster, and replaced her with Piano Foster, an educator who has completed Scientology classes.

According to its tax filing, the Will Smith Foundation –which had total assets of $182,852 last year– pays one salary of $61,000 to Karen Evans, Jada Pinkett-Smith’s aunt. The Foundation made no contributions to New Village.

Last year, Smith donated a total of $122,000 to Scientology groups. In the past, Smith has said in interviews that Scientology, a sect founded by the late science fiction writer L. Ron Hubbard, “is 98% like the Bible.”

Smith said in a 2008 television interview: “You have people who are attacking and want to fight. And don’t know nothing. How you gonna not know nothing about Scientology and attack somebody? It’s dangerous and it’s ignorant. And as an American I’m not gonna be a part of that.” In the same interview, Smith also called Scientology poster boy Tom Cruise “one of the greatest spirits that I have ever met.” You can watch the whole thing below:

Beatles for Sale: 400K-plus CDs This Week

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The Beatles are back.

The remastered Beatles CDs are a hit, and so are the box sets. All told, the Beatles sold 400,000 individual CDs since last Wednesday, when their catalog was reissued. They also sold nearly 24,000 stereo box sets and about 20,000 mono box sets.

If all their sales had been treated as one title, the Beatles would have finished second for the week. Jay Z’s The Blueprint Pt. 3 was number 1.

This is probably just the beginning for Beatles sales. With the holiday season upon us quickly, look for many of the titles to stay on the charts. This week, the group had four of the top 10 albums as well: Abbey Road was number 3, Sgt. Pepper was 6, The White Album was 7, and Rubber Soul was 9.

Nicolas Cage Needs Protection; Doogie to Broadway and Mamet?

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Malcolm Taylor/Getty Images

Malcolm Taylor/Getty Images

Nicolas Cage apparently feels he needs protection… from the movie industry. At last night’s party sponsored by In Style magazine for the Hollywood Foreign Press Assoc., Cage arrived late and brought not one but two bodyguards. One of them told me he’d been flown up from Florida just for the occasion.

Why did Nic need so much protection? Hard to say considering the other people in the room, besides movie execs, agents and buyers, were Clive Owen, Patricia Clarkson, and Sarah, Duchess of York. It should be noted that Sarah, aka Fergie, who is technically royalty, had no obvious guards ‘ if she had any at all.

Cage is in town to promote yet another bad movie, the remake of “The Bad Lieutenant: Port of Call New Orleans.” He may have been nervous about real people coming up and demanding their money back for tickets to a half dozen or so pain-inducing flops including “The Wicker Man,” “Bangkok Dangerous,” “Next,” and “Ghost Rider.” He actually has a movie ready for 2010 called “Kick Ass.” But it’s directed by Matthew Vaughn, so it might be okay. When did Nicolas Cage, who won an Oscar, become Steven Seagal?

Fergie is in Toronto to promote the first film she’s produced, “The Young Victoria.” Her co-producers include Martin Scorsese and Graham King. Not bad! The film has an all-star cast including Emily Blunt, Paul Bettany, and Miranda Richardson. Classy. Sarah, er, Fergie, never looked better. She’s in fine form, too, unpretentious and ready to roll up her sleeves. She told me she’ll be in New York soon for the premiere.

Meanwhile, hot actress Kerry Washington is a hit in “Mother and Child,”’ in which she co-stars with Annette Bening, Naomi Watts’and Samuel L. Jackson. “Mother and Child” like a lot of movies at Toronto’has an interesting history. It’s produced by Lisa Maria Falcone, the’New York philanthropist who’s responsible for’reviving the High Line park, and works on the New York City Ballet and the Museum of Natural History. Falcone’s company Everest Productions has pledged to donate all its proceeds from “Mother and Child” to children’s charities. Who says a movie can’t do a little good?

…And Kerry Washington is headed to Broadway this fall in David Mamet’s “Race” with James Spader and Richard Thomas. I’ve heard that rounding out this cast will be Doogie Howser, hot-as-a-pistol Neil Patrick Harris. From the Tonys to the Emmys to Broadway. And Mamet. He would never have made this much money as a doctor!

‘Precious’ Actress Mo’Nique: Show Me the Money

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Everyone connected to the extraordinary Lee Daniels film, “Precious,” will breathe a sigh of relief today when actress Mo’Nique appears on the “Today” show.

Rumors have been swirling for some time that the actress-comedienne, highly touted for a Best Supporting Actress nomination, has been demanding payments for personal appearances to promote the movie.

One source close to the production insists that Mo’Nique asked for $100,000 at one point to show up with the rest of the cast. The last time she did any publicity for the film, which is about to be released, was last January at the Sundance Film Festival.

Apparently, too, Mo’Nique’s demands have been communicated abroad, too. Foreign distributors have also balked at her demands.

At Lionsgate, a spokesperson insists this isn’t true. “Mo’Nique is doing the ‘Today’ show for us, she’s coming to the New York Film Festival. She had scheduling conflicts for Cannes and Toronto, but she did come to the Sundance festival. We’re not paying her to do anything.” Calls to Mo’Nique’s publicist have never been returned.

The weird thing is, this seems to be an open secret. Everyone connected to “Precious” knows about it. On Sunday, the whole cast showed up in Toronto for a party at the Royal Ontario Museum and a premiere at Roy Thomson Hall. Mariah Carey, Gabby Sidibe, Sherry Shephard, and Paula Patton were all in attendance. Only Mo’Nique and Lenny Kravitz ‘ who’s touring and recording ‘ were absent.

This is really a shame, too. The 41-year-old actress and comedienne, whose real name is Monique Imes, has been one of the hardest working women in show business all her life. She currently hosts’a talk show out of Atlanta on BET, and has made countless TV appearances. Her work in “Precious” as Mary, the main character’s abusive mother, is revelatory. Her whole career could change overnight.

Meantime, Mariah Carey continues to be a good sport about “Precious.” She will do a live concert at 10 a.m. from Central Park this Friday for “Oprah.” Winfrey added her name to the film, along with Tyler Perry, after it debuted in Sundance to give it higher visibility. But Carey has been plugging away for a while on it, even recording a’ song for the movie. Alas, Winfrey pal Mary J. Blige got the title song honors. Mariah is non-plussed by the whole episode. “I’m going to use it for something really good,” she told me, putting a positive spin on the matter.

P.S. Mo’Nique’s not the only no -show in the “Precious” crowd. Oprah Winfrey totally skipped the lavish “Precious” party at the Royal Ontario Museum over the weekend. She limited her appearances to a private dinner (sponsored by Entertainment Weekly, so they got access), a public press conference, and the screening of the film. But Museum partygoers who expected her got zilch, even though Winfrey had been advertised. Soon they’re going to call this movie, “Precious and Few.”

But let’s hope it all works out. “Precious” is one of the best movies of the year, hands down, and everyone in it gives can’t-miss performances.

Paul McCartney Once Gave Bono, U2 Pep Talk

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Paul McCartney and Beatles producer George Martin once each tried to give fledgling band U2 pep talks. Bono once fell asleep on Frank Sinatra‘s couch after being out-drunk by the legendary crooner. U2’s producer Steve Lillywhite often prods Bono in the studio by saying: ‘How long is the song Bono? Why do you want to kill yourself? Do your job!’

These are just a few of the nuggets of inside info that came out last night during Elvis Costello‘s interview with Bono and the Edge for the second season of his Sundance channel talk show, ‘Spectacle.’ Costello, once the Angry Young Man of punk rock, is now the Charlie Rose of popular music. Brilliant!

The taping was held at MTV’s 360-seat Masonic Temple here in Toronto, under tight secrecy. For a week, the names of Costello’s guests were kept quiet, although down the street, at a local church, one pastor was preparing a homily called ‘No Line on the Horizon: The Theology of U2.’ The Irish superstar band starts its world tour here this week.

Costello, trimmed down to a size that Kirstie Alley would give cheesecake for, opened the show by playing two U2 songs ‘ ‘Mysterious Ways,’ ‘Please’ and ‘Dirty Day’ ‘ with his own group, the Imposters. By the end of the two and half hours, Bono and Edge did an unplugged version of their song, ‘Stay,’ and joined Costello for a soulful rendition of the host’s ‘Alison’ ‘ a nod to Bono’s wife, Ali ‘ as well as U2’s ‘Stuck in a Moment,’ and a medley of Costello’s ‘Pump it Up’ and U2’s ‘Get on Your Boots.’ Bono also sang a bluesy number he once wrote for Frank Sinatra, called ‘Two Shots.’

‘It was recorded eventually by a Sinatra,’ he said, ‘Nancy.’

The real charm of the ‘Spectacle’ shows ‘ the first season is just out on DVD ‘ is watching and listening to Costello in his bolo hat, black shirt and tie. As Bono said toward the end of last night’s show, ‘He’s good at this!’

Indeed, he is. The choice of guest helps. Last year Bill Clinton, Sting and the Police, Smokey Robinson, and Lou Reed were among those from whom Costello elicited more than just the usual chit-chat and banter. With musical guests from his era of punk rock, Costello is particularly fascinating. He may not know it, but he’s forming an oral history of an era that was never covered well in the American rock press ‘ Rolling Stone just about ignored it.

And so last night we learned, especially from the Edge, about U2’s initial competition with bands like Echo & the Bunnymen, their influence from Manchester groups like Joy Division, and the two concerts that inspired them as they were forming: the Clash and, of course, Elvis Costello and the Attractions.

The guys did talk about how, at the start, they knew nothing. Working at the famed Abbey Road studios in London they received pep talks from both Paul McCartney and George Martin. ‘McCartney slid down the banister,’ Bono recalls. ‘He said there were only good ghosts there.’ The pep talk was mostly about having a lot of structure and being organized, Bono says, which only left U2 depressed. The Beatles, they learned, worked on a regular schedule, with an hour lunch break and finished by five or six pm.

‘We tried it,’ Bono says, ‘and we were in the studio that night ’til 4 am.’

The Edge also tells a story about Oasis’s Liam Gallagher, overcome with emotion at meeting Martin, leaving before their conversation was over.

‘Maybe if he’d listened to him, Oasis would still be together,’ Edge says.

Costello’s next two tapings, back at New York’s Apollo Theater, are respectively, Sheryl Crow and Bruce Springsteen. It looks a like pretty good season.

Pierre Cossette, the Great Grammy Producer, Dies at 85

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Just a few words about the great Grammy Awards producer Pierre Cossette. He passed away on Friday at age 85. Pierre was one of the great showmen, a true legend, and a feisty producer. He produced the Grammy show for 30 years, bringing it into the modern era. A French Canadian with a real flare for understanding what worked on TV and how it translated to the audience, Pierre managed to combine rock and pop with opera, classical music, jazz and every other genre. He loved it all, especially country music. He won a Tony Award for his Broadway musical, “The Will Rogers Follies.”

A few years ago, when the Grammys were in New York, I was in the production truck with Pierre during the show. He got a call that Luciano Pavarotti, who was in Radio City Music Hall, would not perform “Nessum Dorma” with Aretha Franklin an planned. Pierre dropped the phone and ran upstairs to the opera great’s dressing room. The show was on already, a live broadcast. But Pavarotti refused. It was Pierre who convinced Aretha Franklin to sing both the English and Italian parts of the song. He sent Sting out on stage to say that Pavarotti could not be there that night ‘ he was upstairs! But Aretha went on, sang the whole thing, and “Nessum Dorma” wound up becoming a huge part of her repetoire. The audience never knew what happened.

We’ve lost a lot of great people in the last few weeks, all in their 80s, but vibrant as ever: Dominick Dunne, Army Archerd, Walter Cronkite (92), the great writer Larry Gelbart ‘ who wrote the MASH TV series and many great plays. They will never be replaced. And now Pierre. I hope they’re all together, having a fantastic time!

Fashion Designer Tom Ford’s First Movie Sparks Bidding War

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C.J. LaFrance/Getty Images

C.J. LaFrance/Getty Images

You’ve seen Tom Ford maybe in fashion magazines. He ran Gucci, then started his own line. He appears in ads, shirt wide open, surrounded by beautiful women. Did we ever think he’d make a feature film that would spark a bidding war at a film festival? No, no way.

Well, he did it.

Last night, his “A Single Man,” sort of influenced by a novel by Christopher Isherwood, premiered in Toronto and caused a sensation. Co-stars Colin Firth and Julianne Moore‘(pictured here with Tom) are so spectacularly good in it that the audience is already giving Oscar congratulations. Every buyer for every major distributor turned up at the Isabel Bader Theater to see Ford’s completed movie, and they went crazy for it. At the after party across the street, old Miramax’s Harvey Weinstein and new Miramax’s Daniel Battsek were among those circling Ford like he was chum in the water.

And why not? “A Single Man” taps into a lot of popular themes right now. For one it’s set in 1962, the year of “Mad Men.” It even has the uncredited voice of Jon Hamm on an important’phone call. He doesn’t give his name but it could be Don Draper calling from New York.

The story ‘ written and reinvented by Ford ‘ takes Isherwood’s 1964 autobiographical novel and fleshes it out rather brilliantly. Firth plays George, the Isherwood stand in, a middle-aged gay British professor living in Santa Monica. His lover of 16’years’has died, and George is contemplating suicide. His best friend, Charlotte, is a boozy English divorcee. That’s’Julianne Moore, who’s a knockout.’The centerpiece sequence, when George goes over to her’house for dinner, is an instant classic. From the time Moore opens the door to Firth to the second she shuts it, you know’the two actors have done something extraordinary.

The film is in the same vein as “Far from Heaven,” “Gods and Monsters,” and “The Hours.”

Whoever wins the rights to “A Single Man” picks up Oscar noms for at least Best Actor, Supporting Actress, Adapted Screenplay, Score, Set Design, Costumes, and Make Up. Best Director is not outside the realm of possibilities.

And “A Single Man” was a’hot ticket last night in what I call Fashion Night in Toronto. The movie that preceded Ford’s at the Bader was also very good. “Tanner Hall” was written and directed by Tatianna’von Furstenberg and Francesca’Gregorini.’They are the daughters of designer Diane VF, and actress Barbara Bach, aka Mrs. Ringo Starr. As such, DVF’was there with husband Barry Diller, Barbara brought her sister Marjorie, who lives with the Eagles’ Joe Walsh, and they brought the magnificent Olivia Harrison, widow of Beatle George.’ I mean, like, wow.

Yet, all of these great guests would have meant nothing if “Tanner Hall” weren’t very, very good. It’s a smarter, hipper, better played kind of “Mona Lisa Smile.” The cast comprises Tom Everett Scott, Amy Sedaris, Chris Kattan, Tara Subkoff, and four newcomers: Brie Larson, Rooney Mara, Georgia King, and Amy Ferguson.

The result is an expertly fashioned, heartfelt and funny, even sexy, coming-of-age story. And get this: Gregorini and von Furstenberg raised the money just like all indie filmmakers. They didn’t go to rich relatives. DVF and Mrs. Starr can be proud; their girls have a hit on their hands. Now let’s see who buys it.

Bar Mitzvah Boy Movie Could Be Studio’s Answer

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The Coen Brothers’ new comedy, “A Serious Man,” could be the hit for which Focus Features has been looking. The little studio has never had a movie that grossed $100 million domestic. Focus got close to the Oscar for Best Picture with “Brokeback Mountain,” “The Pianist” and “Atonement,” but has never been able to close the deal.

The Coens’ “Burn After Reading” only did $70 million and it had Brad Pitt as its star, kind of. The much admired “Milk” made only $30 million. This year, “Away We Go” and ‘”Taking Woodstock” ‘ by name directors Sam Mendes and Ang Lee, respectively ‘ were relative disappointments financially.’The one true gem in the Focus crown, at least at the boxoffice, was the recent””Coraline.”

I do not know what’size audience awaits “A Serious Man.” The demographic would be’bar mitzvah boys circa 1967 to 1970. This means me, and about a half-dozen other people including the Coens. At my press’screening there were loads of laughs and many non-Jews in the audience loved it. At the premiere, three people later told’me they walked out. They were all Jewish. So here we’go.

Joel and Ethan Coen were raised in St. Louis Park,’Minn. In 25 years of filmmaking, from “Blood Simple” to “Burn After’Reading,” it felt to me like there may have been one Jewish character. I’d say it was Michael’Lerner as the studio head in’”The Hudsucker’Proxy.” Lerner returns in “A Serious Man” for one brief, hilarious scene.

Michael Stuhlbarg, a gifted actor, plays Larry Gopnik, a serious man who is a professor trying to raise a middle-class Jewish family in Minnesota in 1970. Stuhlbarg plays Larry as a passive’intellectual who is powerless as his life is falling apart. Of course, everyone around him is very kooky. His’grating wife, Judith (the almost too-good Sari Lennick), is having an open affair with recent widower Sy Abelman, played with slithering unctuousness by Fred Melamed. Larry and Judith’s son Danny’is about to be bar mitzvahed. Their’teenage daughter’is going through difficult years.

Richard Kind, who’s brilliant, plays Uncle Arthur, who lives with the family. It’s unclear who he’s related to, but Arthur is full of shtick and sight gags including a suction machine he’s using to relieve a cyst on his neck. Amy Landecker is the overly suntanned divorcee on the prowl to seduce Larry, channeling Mrs. Robinson; Adam Arkin is a worthless divorce lawyer. And so on.

There are several rabbis, of all things, and a lot of Yiddish. A lot. There’s also cancer, and an approaching tornado. What does it all mean? Is there a point, or is “A Serious Man” like a lot of jokes and stories told by characters in the movie: pointless.

Just in case we’re looking for too much meaning, the Coens add a epigraph to the beginning of the film from the 11th century Jewish scholar Rashi: “receive with simplicity what is being offered.” In other words: don’t read too much into’it.

The movie also has an opening scene, set in Poland perhaps circa 1899, that’s a complete non sequitur, spirited from Cynthia Ozick and Isaac Bashevis Singer. It seemed almost like a parody of the opening scene from “Inglourious Basterds.” Who knows?

And who does know, really? Most filmmakers eventually render their nostalgic childhood memoir. This is the Coens’. It might have helped to have a central plot, but maybe that wasn’t important. Getting Danny bar-mitzvahed seems to be the goal, while all around him chaos reigns. The only other central idea is that Larry is up for tenure, and a Korean student is trying to bribe him for a better grade.

For the Coens, “A Serious Man” is just another chapter in their long and productive history, with much to applaud and the usual amount of question marks. For Focus, however, its meaning could be much more, uh,’serious.’They need a hit. I hope this it.

Weinsteins Make Oscar Move: Checkmate

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The Weinstein Co. did indeed come out on top last night. It bought Tom Ford’s “A Single Man,” and will release it before the end of the year.

a single man 341x182 300x160 Weinsteins Make Oscar Move: CheckmateNot only did Harvey love it, Bob did, too. I’ve rarely seen him so effusive about a straight-ahead feature. (Bob makes all the great genre films at Dimension.)

But this means the Weinsteins have made a decisive move in the Oscar race. They already have the hot “Nine,” directed by Rob Marshall, as a very strong yet still unseen candidate for one of the 10 best picture slots. “A Single Man” most assuredly will get one of those berths. (You never know, “Inglourious Basterds” could be a third.)

But with Colin Firth a shoo-in for best actor nominations, and Julianne Moore in best supporting actress, this means the Weinsteins are playing their best Oscar game again. Add those names to Daniel Day-Lewis in best actor for “Nine,” Christoph Waltz as supporting from “Basterds,” and one of several actresses from “Nine” in supporting — I’m told it’s Marion Cotillard or Penelope Cruz — the red carpets are going to be full of Weinstein nominees.

With “A Single Man,” TWC also gets a very strong musical score, a fantastic adapted screenplay. and several tech nominations. This pic, as dressed by Tom Ford, looks like a million more bucks than it cost.

And, unlike some other movies of the recent past, this is a “gay” film that’s not so gay — gay-ish, as someone observed last night!

So add Julianne’s name to the list of supporting actresses: Patricia Clarkson from “Whatever Works,” maybe Mo’Nique from “Precious” (and maybe not for reasons I will explain soon), the “Nine” ladies, Vera Farmiga from “Up in the Air” (who could go into Lead), Kerry Washington from “Mother and Child,” and’ handful more still to be revealed.

Now, kids, we have some Oscar races!