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Catherine Zeta-Jones Wows Broadway

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59145066A few seasons ago Catherine Zeta-Jones won an Oscar for singing and dancing in “Chicago,” the movie. Some people thought it was a trick of editing.

Now, starring in Stephen Sondheim’s “A Little Night Music” on Broadway, Mrs. Michael Douglas cements her place as a stage star. It was no trick. She’s the real thing.

Last night, the culmination of Trevor Nunn’s extraordinary two-and-a-half hour revival was CZ-J’s stunning rendition of “Send in the Clowns.” It’s perhaps Sondheim’s best known and maybe best ever song, and Zeta-Jones performance was spot on. From the first line of the song ‘ “Isn’t it rich/Aren’t we a pair?” ‘ it was clear she had “it.” The audience in the tiny Walter Kerr Theater ‘ which included Lauren Bacall, Hugh Jackman, Kathleen Turner, Nik Ashford and Valerie Simpson, Harvey Weinstein, and, of course, Michael Douglas ‘went wild.

(I like Hugh Jackman ‘‘he came upstairs to the mezzanine bar to get sodas for himself and wife Debra Lee at intermission ‘ and waited in line in a narrow space to do it.)

And the numerous charms of “A Little Night Music” don’t all belong to Zeta-Jones. Angela Lansbury has been doing a victory lap on Broadway this year, winning a Tony last spring for “Blithe Spirit.” She returns to Sondheim (remember, she was the original, award-winning Mrs. Lovett from “Sweeney Todd”) triumphantly in “Night Music” as the curmudgeonly grandmother and, of course, steals the show. (It’s not so easy; her character is in wheelchair.) The show also features two tremendous male leads: Alexander Hanson, from the London production, and Aaron Lazar, plus the strongest cast of singers on Broadway in featured roles.

Over at Tavern on the Green later ‘ at what may be the final theatre premiere party at the real Tavern thanks to the city and general greed ‘ Zeta-Jones made an entrance suitable for her new station as Queen of Broadway. As befitting a Queen, her rude publicist just about knocked my kidney stone out of place elbowing me out of the way. But CZ-J was charming as ever, accepting kudos and flowers from husband Michael Douglas. Sondheim ‘ without whom none of this is possible ‘ made a brief appearance before scooting out of the spotlight.

As for Oscar-winning actor/producer Douglas, he did tell me some good news: his very good movie, “Solitary Man,” has been picked up by Overture Films and will be released on May 2nd, two weeks after “Wall Street 2.” It’s going to be a Michael Douglas spring. In the meantime, it’s a CZ-J winter as Douglas’s wife is signed to “Night Music” through July. This means no family Christmas outing to Bermuda ‘ where Douglas’s mom is from and where he often vacations. “We’ll just stay here, and do a little skiing,” Michael told me. It doesn’t sound so bad!

“Avatar” Snubbed by AFI, Los Angeles and Boston Film Critics

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James Cameron’s “Avatar” is going to make a lot of money when it opens on Friday. (So will the makers of those 3D glasses, too!)

But awards don’t look forthcoming for the sci-fi spectacle about blue people on planet Pandora.

Yesterday, the American Film Institute didn’t include “Avatar” on its 10 best list for 2009. It did mention “The Hangover,” however.

“Avatar” did win Best Picture from the New York Online Film Critics, a group of home bloggers with interesting website names.

The big winners so far: “The Hurt Locker,” director Kathryn Bigelow, Meryl Streep, Jeff Bridges, Jeremy Renner, M’Onique, and “Precious.”

The next awards announcement will be nominees for the Broadcast Film Critics Association later today (airing January 15th on VH-1), followed by the Golden Globes tomorrow (January 17th) and the New York Film Critics Circle.

Broadcast Critics Go for “Nine,” “Basterds,” “Locker”

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NOMINEES FOR THE 15TH ANNUAL CRITICS’ CHOICE MOVIE AWARDS

BEST PICTURE
Avatar
An Education
The Hurt Locker
Inglourious Basterds
Invictus
Nine
Precious
A Serious Man
Up
Up In The Air

BEST ACTOR
Jeff Bridges – “Crazy Heart”
George Clooney – “Up In The Air”
Colin Firth – “A Single Man”
Morgan Freeman – “Invictus”
Viggo Mortensen – “The Road”
Jeremy Renner – “The Hurt Locker”

BEST ACTRESS
Emily Blunt – “The Young Victoria”
Sandra Bullock – “The Blind Side”
Carey Mulligan – “An Education”
Saoirse Ronan – “The Lovely Bones”
Gabourey Sidibe – “Precious”
Meryl Streep – “Julie & Julia”

BEST SUPPORTING ACTOR

Matt Damon – “Invictus”
Woody Harrelson – “The Messenger”
Christian McKay – “Me And Orson Welles”
Alfred Molina – “An Education”
Stanley Tucci – “The Lovely Bones”
Christoph Waltz – “Inglourious Basterds”

BEST SUPPORTING ACTRESS

Marion Cotillard – “Nine”
Vera Farmiga – “Up In The Air”
Anna Kendrick – “Up In The Air”
Mo’Nique – “Precious”
Julianne Moore – “A Single Man”
Samantha Morton – “The Messenger”

BEST YOUNG ACTOR/ACTRESS

Jae Head – “The Blind Side”
Bailee Madison – “Brothers”
Max Records – “Where The Wild Things Are”
Saoirse Ronan – “The Lovely Bones”
Kodi Smit-McPhee – “The Road”

BEST A CTING ENSEMBLE

Inglourious Basterds
Nine
Precious
Star Trek
Up In The Air

BEST DIRECTING
Kathryn Bigelow – “The Hurt Locker”
James Cameron – “Avatar”
Lee Daniels – “Precious”
Clint Eastwood – “Invictus”
Jason Reitman – “Up In The Air”
Quentin Tarantino – “Inglourious Basterds”

BEST ORIGINAL SCREENPLAY
Mark Boal – “The Hurt Locker”
Joel Coen & Ethan Coen – “A Serious Man”
Scott Neustadter & Michael H. Weber – “(500) Days Of Summer”
Bob Peterson, Peter Docter – “Up”
Quentin Tarantino – “Inglourious Basterds”

BEST ADAPTED SCREENPLAY
Wes Anderson, Noah Baumbach – “Fantastic Mr. Fox”
Neill Blomkamp, Terri Tatchell – “District 9″
Geoffrey Fletcher – “Precious”
Tom F ord, David Scearce – “A Single Man”
Nick Hornby – “An Education”
Jason Reitman, Sheldon Turner – “Up In The Air”

BEST CINEMATOGRAPHY

Barry Ackroyd – “The Hurt Locker”
Dion Beebe – “Nine”
Mauro Fiore – “Avatar”
Andrew Lesnie – “The Lovely Bones”
Robert Richardson – “Inglourious Basterds”

BEST ART DIRECTION

Dan Bishop – “A Single Man”
Rick Carter, Robert Stromberg – “Avatar”
John Myhre, Gordon Sim – “Nine”
Naomi Shohan, George De Titta, Jr. – “The Lovely Bones”
David Wasco, Sandy Reynolds Wasco – “Inglourious Basterds”

BEST EDITING
Dana E. Glauberman – “Up In The Air”
Sally Menke – “Inglourious Basterds”
Bob Murawski, Chris Innis – “The Hurt Locker”
Stephen Rivkin, John Refoua, James Cameron – “Avatar”
Claire Simpson, Wyatt Smith – “Nine”

BEST COSTUME DESIGN
Colleen Atwood – “Nine”
Janet Patterson – “Bright Star”
Sandy Powell – “The Young Victoria”
Anna Sheppard – “Inglourious Basterds”
Casey Storm – “Where The Wild Things Are”

BEST MAKEUP
Avatar
District 9
Nine
The Road
Star Trek

BEST VISUAL EFFECTS
Avatar
District 9
The Lovely Bones
Star Trek
2012

BEST SOUND
Avatar
District 9
The Hurt Locker
Nine
Star Trek

BEST ANIMATED FEATURE
Cloudy With A Chance Of Meatballs
Coraline
Fantastic Mr. Fox
Princess And The Frog
Up

BEST ACTION MOVIE
Avatar
District 9
The Hurt Locker
Inglourious Basterds
Star Trek

BEST COMEDY
(500) Days Of Summer
The Hangover
It’s Complicated
The Proposal
Zombieland

BEST PICTURE MADE FOR TELEVISION
Gifted Hands
Grey Gardens
Into The Storm
Taking Chance

BEST FOREIGN LANGUAGE FILM

Broken Embraces
Coco Before Chanel
Red Cliff
Sin Nombre
The White Ribbon

BEST DOCUMENTARY FEATURE
Anvil
Capitalism: A Love Story
The Cove
Food, Inc.
Michael Jackson’s This Is It

BEST SONG
“All Is Love” – Karen O, Nick Zinner – “Where The Wild Things Are”
“Almost There” – Randy Newman – “The Princess And The Frog”
“Cinema Italiano” – Maury Yeston – “Nine”
“(I Want To) Come Home” – Paul McCartney – “Everybody’s Fine”
“The Weary Kind” – T Bone Burnett, Ryan Bingham – “Crazy Heart”

BEST SCORE
Michael Giacchino – “Up”
Marvin Hamlisch – “The Informant!”
Randy Newman – “The Princess and the Frog”
Karen O, Carter Burwell – “Where The Wild Things Are”
Hans Zimmer – “Sherlock Holmes”

Facebook Chief Turns Party Animal in Village

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Sean Parker, the co-founder of Napster and now the guy who helped launch Plaxo and’ Facebook, is now my party-throwing neighbor here in the quietest part of Greenwich Village. He’s renting a gutted, modern carriage house that was once populated by drug dealers (a long time ago). The house, owned by the Cinzano family and known as Bacchus House, even has an atrium.

The good news is that Parker, celebrating his 30th birthday Saturday night, raised about $30,000 from his guests for the charity Malaria No More. Parker plans to match the donation. And he’s serious about curing malaria, among other diseases.

Among Parker’s guests: a wide-brim black-hatted Val Kilmer, dressed as either a Hasidic Jew, Amish minister or, as one guest observed, Gertrude Stein. It’s not clear what Oliver Stone, who directed the old Val Kilmer as Jim Morrison in “The Doors,” thought of Kilmer’s current incarnation. And I didn’t ask. Anyway, other well-known faces (still in their recognizable condition) included Gina Gershon, fresh from her Broadway performance in “Bye Bye Birdie,” plus Warner Music’s Lyor Cohen and actors Matthew Modine, Fisher Stevens and Griffin Dunne, a late-arriving Stephen Baldwin and magazine publisher Jason Binn. There was, alas, no sign of Justin Timberlake, who’s set to play Parker in the David Fincher/Aaron Sorkin movie “The Social Network.” For real, yes, I’m not kidding.

There were also scads and scads of beautiful babes, presumably Parker’s friends from Facebook. There was food in the form of passed h’ors d’oeuvres, but maybe not enough. At one point, Ray’s Pizza, down the street, the actual real and original Ray’s Pizza, sent over six large pies. The deliveryman wasn’t allowed inside, however. One of Parker’s minions met him out front in the cold and tenderly accepted the steaming pizzas by wrapping them in a bed sheet. In three decades, I have not seen Ray’s pizzas so lovingly embraced.

I didn’t actually meet Sean Parker, but I think that’s the sign of a successful party. I was depressed, anyway, since I moved to this block exactly one year before he was born. (I was in college; don’t get excited. I’m not 100 years old. There weren’t horse-drawn carriages, but you could drive straight down Broadway through Times Square without yielding to tourists sitting on aluminum chairs.)

So anyway, as long as our parking spaces aren’t always taken and the noise stays down (it did last night), Parker is welcome to toss as many charity fundraisers as he likes. We’ve also recently had an invasion of the wealthy: the Soros family, Black Eyed Peas manager David Sonnenberg, and a few others who are ignoring the recession by gutting, renovating and planting terrariums. Welcome to the block!

Movie Award First? Ex-spouses Bigelow and Cameron in Race

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Looking for an Oscar first? Here’s one: Kathryn Bigelow, director of the much-praised and serious “The Hurt Locker,” could be in the running for best director against her ex-husband.

Bigelow was married from 1989-91 to “Avatar” director James Cameron.

Their movies could not be more different. “The Hurt Locker” is indeed a serious piece of work about soldiers in the war in Iraq. It’s got a terrific original screenplay by Mark Boal, whom Bigelow is said to be dating. It’s also got at least two Oscar-worthy lead performances by Anthony Mackie and Jeremy Renner.

“Avatar” is, on the other hand, a masterpiece of computer generation. It has a shopworn plot with extremely bad dialogue. (My favorite line comes from Sigourney Weaver, announcing about planet Pandora: “There’s something going on with the biology there.” Hilarious.) “Avatar” has no acting, as such, but gorgeous art, and the most realistic 3D ever. And blue people.

“The Hurt Locker” has made only $13 million and is about to be released on DVD. “Avatar” cost around $500 million, according to the New York Times, and should make about $100 million on its opening weekend just from curiosity.

One similarity: Many people in each movie get blown up. The difference is that “The Hurt Locker” characters are real, and their fates are dramatic. The explosions in “Avatar” are fake, fun and created by aliens.

Bigelow could very likely be nominated for all the important awards, from the Oscar to the DGA and the Golden Globe. Cameron could as well. The difference would be that Bigelow has a shot at winning. The Academy, while appreciative of the “Avatar” technology, may view Cameron’s achievements this time around as more technical than real. A viewer feels more about the characters in “Fantastic Mr. Fox” — an animated movie — than “Avatar,” simply because the writing is so much better.

And here’s some interesting personal info on the two directors. Cameron has been married five times. Bigelow was married only once, to Cameron. Stunningly beautiful at age 58, she’s three years older than Cameron. Who knew?

So this should be interesting. Bigelow is generally thought to be in a top group of directors this year that includes Quentin Tarantino (”Inglourious Basterds”), Lee Daniels (”Precious”), Jason Reitman (”Up in the Air”), Clint Eastwood (”Invictus”), Rob Marshall (”Nine”) and my personal favorite, Wes Anderson, for “Mr. Fox.”

Where exactly that leaves Cameron is still to be determined. (Although the spectacle of seeing him hoist an Oscar over his head to declare “I’m the king of the world!” again is tantalizing.) The joke is that Academy Awards could turn into “Divorce Court,” except for one thing: The exes have remained good friends over the years.

Steven Tyler Walks Away From Managers

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Aerosmith’s Steven Tyler is starting to ease on down the Michael Jackson road: He’s changed managers again.

Tyler, AWOL from Aerosmith and clearly in health trouble, has left pal Jason Flom and John Greenberg of UEG. I’ve confirmed that he’s signed with Allen Kovac of 10th Street Entertainment.

Among Kovac’s clients is Motley Crue, which is a little ironic. Tyler, it’s always been said, wrote “Dude Looks Like a Lady” about Crue’s Vince Neil some 20 years ago. Maybe they could all tour together now!

Kovac’s other big clients are Papa Roach, Debbie Harry and Buckcherry.

If Tyler were an active solo star, he’d be the biggest act on the roster. As it is, Tyler is more like a hot potato crossed with a question mark. At 61, he’s no spring chicken. He also has enormous health problems that range, I am told, from the physical to’ the mental. A recovering drug addict, Tyler has been accused by road manager, Henry Smith, of never having been clean in 18 years. In addition to that, the rocker also has issues with his shoulder and foot, sources say, leaving him in tremendous pain.

Flom, the creator of Lava Records, was not only Tyler’s manager but friend and super fan. Sources say he was unable to take a strong stand on Tyler’s various issues. Some of those are legal. Tyler is part of Aerosmith; no one’s sure who owns the name, or if the remaining Aerosmith members can use it without him.

Eastwood’s ‘Invictus’ Shows Signs of Weakness

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Clint Eastwood’s new film, “Invictus,” fell short of its objectives this weekend at the boxoffice.

Despite projections of a $12 million-$14 million take in wide release for the $60 million-plus movie, the $9.1 million earned by the film had to be a disappointment for Warner Bros.

Perhaps limited release would have helped it get out of the gate. Last year, Eastwood’s “Gran Torino” had a little over $11 million in the bank when — after 29 days — it went into wide release Jan. 9. It made $29.4 million on its first big weekend.

“Invictus” has a lot going for it, but a lot against it too. The main subjects are racism and rugby, and in a foreign country. Those are not accessible topics for American audiences. There’s no love story. And no women. And there’s little explanation of what’s going on.

The main draws are Morgan Freeman, a beloved actor, as Nelson Mandela, a beloved leader, and an always likable Matt Damon as a rugby captain. Neither may be enough, though, to help “Invictus” pick up steam in America. Conversely, “Invictus” may find a big audience overseas, where rugby and race are more familiar topics.

Irronically, Warners is riding high right now with the flip side of “Invictus.” In “The Blind Side,” you have a strong woman – Sandra Bullock – plus a little race, and a little football, which is explained in detail by Bullock’s character several times. “Invictus” is better acted and directed, but “The Blind Side” is the easier choice for American audiences.

“Avatar”: No “Titanic,” But A Ground-Breaking Hit

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Avatar,” James Cameron’s $250 million-plus epic, caused chaos last night in the film world. It premiered in London and was shown to some press in New York. Everyone who saw it had to agree to an embargo on running stories or reviews until right before the December 18th release. Then everyone who’d agreed, reneged.

What’s all the fuss? Well, for one thing, the 3D effects are completely groundbreaking. And even though wearing the glasses, etc. can be a little annoying at times, it’s worth it. This is 3D as you’ve never seen it before. Small brightly-lit objects are so real you want to reach out and grab them. When the camera pans through the forest or against trees, the images in the foregound make you want to duck out of the way.

Avatar is a hybrid of live action and a lot ‘ a huge amount ‘ of computer generated graphics. Even though it can be very thrilling, the movie seems more like a video game at times than a film. In fact, the last “act” of the story is largely that. There isn’t tremendous character development or story. It’s mostly plot, plot, action, plot. Not that there’s anything wrong with that.

The basic story is a little hard to explain especially if you’ve never used an avatar online or in a game. Essentially, Sigourney Weaver and some space-development people are trying to get onto planet Pandora. Humans can’ t breathe on Pandora ‘ populated by blue zebra-striped two-legged creatures and dinosaur-like monsters ‘ without an oxygen mask. So Sigourney’s team creates avatars who look like Pandorans. Then they put humans into virtual reality tanks, and the humans somehow act out through the avatar bodies and interact with Pandorans. No, it makes no sense, it’s science fiction, and kind of ridiculous. But this is not a Best Picture kind of movie in that sense. It’s a three bag of popcorn crowd pleaser. Don’t think too hard while it’s on.

Anyway, Sam Worthington, the Mark Hamill of this movie, plays the hero, Jake. He’s a paralyzed Marine vet, too, so his avatar adventures are very freeing. Sigourney reluctantly enlists him to get on Pandora and investigate their ways. He does, and, of course, comes to identify with them. He even falls in love with a blue Pandoran, played by Zoe Saldana. When the time comes for Sigourney’s group to start colonization, Jake, naturally, becomes the Pandorans’ leader. (One of my favorite things about Avatar Jake is that he insists on touching each new 3D object he encounters, always with a startling reaction.)

In the process of this, “Avatar” is revealed as a combination of several movies and stories we’ve seen before, from “Dances with Wolves” to “1 Million BC” to “Land of the Lost” and “Lord of the Rings.” There’s more than a huge sampling of “Apocalypse Now.” And there’s a strong eco message too about saving the planet, going green, and the lives of trees. What’s missing, storywise, is a lot of originality or humor. But there’s everything else: At one point the screen is filled with Africans, Indians, dinosaurs, and Smurfs ‘ all that’s missing is the kitchen sink. Cameron pulls out all the stops and then some.

There isn’t a lot of what you might call acting. Stephen Lang plays a cardboard cut-out villain with bulging eyes and muscles who is a little too laughable ‘ and seems like a CGI himself and not human. Cameron has never met a cliche he didn’t like; they are all here. Sigourney’s Grace starts out as a cigarette smoking toughie, and winds up mothering her charges. Inconsistencies abound. Worthington is not Laurence Olivier, or even Harrison Ford. But he’s good enough. At least we see him as human and Blue. Zoe Saldana is only Blue, and seems to be playing Angelina Jolie from “Beowulf.”

There’s going to be a lot of debate about “Avatar” re: the “is it a film or video game?” discussion. What it is is entertaining as hell. It’s a sure-fire award winner for technical things. On its way to boxoffice gold, “Avatar” will be an event more than anything else. Fans will want to see it just to realize what Cameron has accomplished visually. With 10 Best Picture slots, “Avatar” also seems destined for a nomination. But it isn’t “Titanic.” There’s no Kate and Leo. And overselling it may cause “Avatar” more harm than good. It’s got so many fantastic elements, that it has to be encountered for those without dwelling on its deficiencies.

“Avatar” is among the best of 2009, along with “Inglourious Basterds,” “Precious,” “An Education,” “The Hurt Locker,” “The Messenger,” “Nine,” “A Single Man,” “A Serious Man,” “Up in the Air,” “The Fantastic Mr. Fox,” and “The Last Station.” As an artistic and technical creation, though, it stands by itself.

Supporting Stars: Julianne, Matt, Stanley and Patty

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Three big movies are opening this weekend: “Invictus,” “A Single Man,” and “The Lovely Bones.” The first two are excellent and not to be missed. The third is a strange curiosity. But they have one thing in common: great supporting performances destined for the Academy Awards.

Julianne Moore is just amazing as Charley, the best friend and British ex-pat who lives next door to Colin Firth in “A Single Man.” If anyone’s ready for an Oscar it’s Moore, and I predict that, with Firth, she will wind up in the top five and could even win (both of them). Moore’s Charley could almost be the wife or cousin of Jared Harris’s character on “Mad Men.” Abandoned by her wealthy husband and her grown kids, Charley is left to drink, dance and smoke in her 1962 Santa Monica retreat. She’s a great drunk, almost like one of the women from “Absolutely Fabulous.” She’s also incredibly sad. When she dances with Firth to Booker T & the MGs, and tries without luck to seduce her gay friend, you really feel for her. Moore’s main scene with Firth is so memorable and key that when she closes the door to her house as he leaves, you want to applaud.

Matt Damon was so good in Steven Soderbergh’s not totally cooked, “The Informant!” If the movie had been better Damon would be up for a lead actor Oscar. But it’s not, so we turn to “Invictus.” Damon is pumped up and buff as South African rugby captain Francois‘Pienaar. He’s also got the accent down so perfectly ‘ and apparently the rugby, too ‘ that you forget Damon isn’t a blond, white South African. Damon’s trajectory from “Good Will Hunting” to here is astonishing. He’s never embarrassed himself, and has chosen roles with a consistent approach. Without being showy, he’s become a dependable Hollywood star in the old sense. And he can handle sensitive material, comic, and action of course (See under “Bourne.”) Morgan Freeman has an easier time in “Invictus” because we know a lot about Nelson Mandela. In a script that doesn’t do much to flesh out characters, Damon creates Pienaar from nothing, and holds up his end of the film beautifully.

Stanley Tucci is the killer in “The Lovely Bones.” I’m not giving anything away since we’re told this up front. But Tucci’s two supporting roles this year ‘ ‘the other as Paul Child in “Julie & Julia” ‘ suddenly establishes him as the go to guy. This follows his great work in “The Devil Wears Prada.” In “Bones,” a not great cup o’crazy movie, Tucci is just creepy and understated enough to scare the bejeezus out of us. He’s evil but you can’t take your eyes off of him. It’s hard to say that anyone can beat Christoph Waltz from “Inglourious Basterds” for Best Supporting Actor, but Tucci and Damon give it their best shots.

And let’s not forget Patricia Clarkson from Woody Allen’s “Whatever Works.” Sony Pictures Classics isn’t doing much for her as the Allen film wasn’t a big hit. But Clarkson is worth the price of renting the film and fast forwarding in about 40 minutes. She’s a total comic delight, as good if not better, than many of Woody’s Oscar-winners.

Michael Jackson Exploited by Scientology

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Michael Jackson’s estate lawyers won’t be amused to hear this: Jackson’s likeness and music are being exploited by Scientology.

My colleague Guy Adams of the U.K. paper The Independent came across this invite to a December 6th Scientology event in Britain:

jackojpeg1 Michael Jackson Exploited by Scientology

THE OT COMMITTEE CC LONDON CORDIALLY INVITES YOU TO a spectacular evening celebrating one of the greatest artists of all time Michael Jackson in true Celebrity Centre style.

‘ Get briefed by a Senior Executive from Celebrity Centre International on the plans for CC London.

‘ Enjoy entertainment in honour of the King of Pop with dance troupe ‘Malfunktion’ and singer supreme Anton Lorien!

‘ Find out what the OT Committee is all about and what their plans are for the Ideal CC London!

Sunday, 6th December ‘ 7.00pm
Fitzroy House, 33-35 Fitzroy Street, London W1T 6DX
Refreshments will be served.

A spectacular evening that you will NOT want to miss!

CALL xxxxxxxxx TO RESERVE YOUR PLACE NOW!

‘ 2009 Church of Scientology Religious Education College Inc. A non-profit organisation incorporated in South Australia. Registered Office 24-28 Waymouth Street, Adelaide, South Australia. Registered in the UK under company number FC9154. Registered agent in the UK: P D Hodkin, 42/44 Copthorne Road, Felbridge, East Grinstead, RH19 2NS. OT and CELEBRITY CENTRE are trademarks and service marks owned by Religious Technology Center and are used with its permission.

Michael was many things, but he was NOT a Scientologist. Of course, he was married to one ”Lisa Marie Presley ‘‘but he resisted’ the sect’s charms ‘ and hers apparently too.